Bibliography for TP21820 Directors' Theatre: Staging Modern Drama BETA

Allain, P. and British Grotowski Project (2009) Grotowski’s empty room. London: Seagull Books.

Arfara, K. (2008) ‘Review Essay: The Wooster Group:                              , or the Tragic of the Surface’, Performance Research, 13(1), pp. 134–137. Available at: https://doi.org/10.1080/13528160802465680.

Armstrong, J. (2015) Cruel Britannia: Sarah Kane’s postmodern traumatics. Bern, Switzerland: Peter Lang.

Benedetti, J. (1988) Stanislavski. London: Methuen.

Benedetti, J. (1998) Stanislavski and the actor. London: Methuen Drama.

Boenisch, P.M. (2015a) Directing scenes and senses: the thinking of regie. Manchester: Manchester University Press. Available at: https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4711189130002418&institutionId=2418&customerId=2415.

Boenisch, P.M. (2015b) Directing scenes and senses: the thinking of regie. Manchester: Manchester University Press. Available at: https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4711575440002418&institutionId=2418&customerId=2415.

Boenisch, P.M. and Ostermeier, T. (2016) ‘“On Directing”’, in The theatre of Thomas Ostermeier. London: Routledge, pp. 132–184.

Bogart, A. (2001) ‘A director prepares: seven essays on art and theatre’, in. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039381080002418&institutionId=2418&customerId=2415.

Bogart, A. (2007) ‘“Intention” in And then, you act: making art in an unpredictable world’, in. New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203965504.

Bogart, A. (2014) ‘“Politics” in What’s the story: essays about art, theater and storytelling’, in What’s the story: essays about art, theater and storytelling. London: Routledge, pp. 123–139.

Bogart, A. and Landau, T. (2005) ‘“Introducing the Individual Viewpoints” in The viewpoints book: a practical guide to viewpoints and composition’, in. New York: Theatre Communications Group.

Caldarone, M. and Lloyd-Williams, M. (2004) Actions: the actors’ thesaurus. London: Nick Hern.

Callens, J. (2004) The Wooster Group and its traditions. Bruxelles: P.I.E.-Peter Lang. Available at: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013111230&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Catanese, B.W. (2014) Problem of the Color blind: Racial Transgression and the Politics of Black Performance. Ann Arbor: University of Michigan Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=2463020580002418&institutionId=2418&customerId=2415.

Cole, S.L. (1992) ‘A Hidden World’, in Directors in rehearsal: a hidden world. New York: Routledge, pp. 1–9. Available at: https://contentstore.cla.co.uk/secure/link?id=26cc489b-4892-e711-80cb-005056af4099.

Craig, M. et al. (2011) ‘Stanislavsky and the Russian theatre’. London: Copernicus Films.

Delgado, M.M. and Heritage, P. (1996) In contact with the Gods?: directors talk theatre. Manchester: Manchester University Press.

Delgado, M.M. and Rebellato, D. (2010a) Contemporary European theatre directors. London: Routledge.

Delgado, M.M. and Rebellato, D. (2010b) ‘Katie Mitchell in Contemporary European theatre directors’, in. London: Routledge.

Delgado, M.M. and Rebellato, D. (2010c) ‘Thomas Ostermeier’, in Contemporary European theatre directors. London: Routledge, pp. 339–359.

Derrida, J., Rand, R. and Leavey, J.P. (1986) Glas. Lincoln: University of Nebraska Press.

Dixon, M.B. and Smith, J.A. (1995a) Anne Bogart: viewpoints. 1st ed. Lyme, NH: Smith and Kraus.

Dixon, M.B. and Smith, J.A. (1995b) Anne Bogart: viewpoints. 1st ed. Lyme, NH: Smith and Kraus.

Dutch courage: Toneelgroep Amsterdam’s Kings of War â�� in pictures | Stage | The Guardian (no date). Available at: https://www.theguardian.com/stage/gallery/2016/apr/27/dutch-courage-toneeelgroep-amsterdam-kings-of-war-in-pictures#img-1.

Eldridge, L. (2005) ‘Genet’s The Maids: performativity in performance’, Studies in Theatre and Performance, 25(2), pp. 99–114. Available at: https://doi.org/10.1386/stap.25.2.99/1.

Fensham, R. (2009) ‘To watch theatre: essays on genre and corporeality’, in. New York: P.I.E. Peter Lang.

Finburgh, C., Lavery, C. and Shevtsova, M. (2006) Jean Genet: performance and politics. Basingstoke: Palgrave Macmillan.

Flaszen, L. (2010) Grotowski & company. Holstebro: Icarus.

Gainor, J.E. and Gainor, J.E. (2012) ‘Chapter 14 “On Jean Genet’s Late Works” in Imperialism and Theatre’, in. Hoboken: Taylor and Francis. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=2463020730002418&institutionId=2418&customerId=2415.

Genet, J. (2009) The maids. London: Faber.

Gertrude Stein’s Doctor Faustus Lights the Lights (no date). Available at: https://faustuslightsthelights.files.wordpress.com/2015/07/stein_doctorfaustus.pdf.

Giesekam, G. (2007a) ‘Chapter 4 Postmodern Collage: The Wooster Group’, in Staging the screen: the use of film and video in theatre. Basingstoke: Palgrave Macmillan, pp. 80–115.

Giesekam, G. (2007b) Staging the screen: the use of film and video in theatre. Basingstoke: Palgrave Macmillan.

Goethe, J.W. von et al. (2007) ‘Peter Stein inszeniert Faust’. [Place of publication not identified]: Bel Air Ed.

Grotowski, J. (2002) Towards a poor theatre. First Routledge edition. Edited by E. Barba. New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203819814.

Grotowski, J., Schechner, R. and Wolford, L. (2001) The Grotowski sourcebook. London: Routledge.

Hampton, C. and Chekhov, A.P. (2007) ‘The seagull’, FF plays. Available at: http://dx.doi.org/10.5040/9780571293520.00000005.

‘Hedda Gabler [DVD] / by Henrik Ibsen ; directed by Thomas Ostermeier ; translation into German by Hinrich Schmidt-Henkel’ (no date). Available at: http://69.70.65.162/in/faces/details.xhtml?id=p%3A%3Ausmarcdef_0000075519&highlight=*&posInPage=0&bookmark=4c8e456e-1e80-4b88-b09b-43d14fe2dfbe&queryid=e656dee3-c4db-445c-9cc4-68cf474a52df.

Helland, F. (2015) Ibsen in practice: relational readings of performance, cultural encounters and power. London: Bloomsbury.

In between stage and screen: The intermedial in Katie Mitchell’s…some trace of her (no date). Available at: http://www.tandfonline.com/doi/pdf/10.1386/padm.7.1.43_1.

Innes, C. and Shevtsova, M. (2013a) The Cambridge introduction to theatre directing. Cambridge: Cambridge University Press.

Innes, C. and Shevtsova, M. (2013b) The Cambridge introduction to theatre directing. Cambridge: Cambridge University Press.

Innes, C. and Shevtsova, M. (2013c) The Cambridge introduction to theatre directing. Cambridge: Cambridge University Press.

Innes, C. and Shevtsova, M. (2013d) The Cambridge introduction to theatre directing. Cambridge: Cambridge University Press.

Innes, C. and Shevtsova, M. (2013e) The Cambridge introduction to theatre directing. Cambridge: Cambridge University Press.

Innes, C. and Shevtsova, M. (2013f) The Cambridge introduction to theatre directing. Cambridge: Cambridge University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781107255265.

Innes, C.D. (2000) A sourcebook on naturalist theatre. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=2463020960002418&institutionId=2418&customerId=2415.

Inside the War Room | Barbican Blog (no date). Available at: http://blog.barbican.org.uk/2016/04/inside-the-war-room/.

Ivo van Hove on �Kings of War� | Barbican Blog (no date). Available at: http://blog.barbican.org.uk/2016/04/ivo-van-hove-on-kings-of-war/.

Kantor, T. et al. (2015) ‘Umarła klasa =: The dead class : a dramatic séance by Tadeusz Kantor ; filmed by Andrzej Wajda’. London: Polish Theatre Perspectives, an imprint of TAPAC: Theatre and Performance Across Cultures.

Kantor, T. et al. (no date) Tadeusz Kantor: rozmowa = Tadeusz Kantor : conversation. Toulouse: Presses universitaires du Midi.

Kantor, T. and Kobialka, M. (1993) A journey through other spaces: essays and manifestos, 1944-1990. Berkeley: University of California Press.

Kantor, T., Munder, H., and Migros Museum für Gegenwartskunst (no date) Tadeusz Kantor. Zürich: Migros Museum für Gegenwartskunst.

‘Katie Mitchell ...some trace of her Workpack’ (no date). Available at: http://d1wf8hd6ovssje.cloudfront.net/documents/Some%20trace%20of%20her%20workpack%20FINAL.pdf.

‘Katie Mitchell’s The Waves Education Pack’ (no date). Available at: http://www.nationaltheatre.org.uk/sites/all/libraries/files/documents/Waves_workpack.pdf.

Kelleher, J. (2015) The illuminated theatre: studies on the suffering of images. Abingdon, Oxon: Routledge.

Kirwan, P. (2010) ‘Review of Shakespeare’s Roman Tragedies (Coriolanus, Julius Caesar, Antony and Cleopatra) (directed by Ivo Van Hove for Toneelgroep Amsterdam) at the Barbican, London, 20 November 2009’, Shakespeare, 6(4), pp. 478–482. Available at: https://doi.org/10.1080/17450918.2010.527362.

Klich, R. and Scheer, E. (2012) ‘Chapter 3: The Theatre of Images Revisited’, in Multimedia performance. Basingstoke: Palgrave Macmillan, pp. 53–46. Available at: https://whelf-aber.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4688967020002418&institutionId=2418&customerId=2415.

Klotz, N., Perceval, E. and Baecque, A. de (2013) ‘Le  vent souffle dans la cour d’honneur: les utopies contemporaines du Festival d’Avignon’. [Paris]: Compagnie des Indes.

Kobialka, M. (2009) Further on, Nothing: Tadeusz Kantor’s Theatre. Minneapolis: University of Minnesota Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=2608318200002418&institutionId=2418&customerId=2415.

Kumiega, J. (1985) ‘Extract from “ Koridan to The Constant Prince”’, in The theatre of Grotowski. London: Methuen, pp. 66–71.

Lavery, C. (2010) ‘Chapter 6 - The Blacks in The politics of Jean Genet’s late theatre: spaces of revolution’, in. Manchester: Manchester University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=14a488df-5999-e711-80cb-005056af4099.

LeCompte, E. and Wooster Group (2004) ‘House/Lights: after Gertrude Stein’s Doctor Faustus lights the lights’. New York: Wooster Group.

Lewin, A. and Stein, P. (2013) ‘Lontano: die Schaubühne von Peter Stein’. Berlin: Andreas Lewin Filmproduktion.

Mangold, A.C. (2010) The empty I: Sarah Kane and the aesthetics of the new tragic. Aberystwyth.

Marlowe, Christopher, 1564-1593 (no date) The Tragical History of Doctor Faustus From the Quarto of 1604. Available at: http://www.gutenberg.org/ebooks/779.

Marranca, B. (2003) ‘The Wooster Group: A Dictionary of Ideas’, PAJ: A Journal of Performance and Art, 25(2), pp. 1–18. Available at: https://doi.org/10.1162/152028103321781510.

Marranca, B. (2008) Performance histories. 1st ed. New York: PAJ Publications. Available at: http://catdir.loc.gov/catdir/toc/ecip0723/2007030976.html.

McGuinness, F. et al. (1996) A doll’s house. London: Faber. Available at: http://dx.doi.org/10.5040/9780571284245.00000005.

Mitchell, K. (2009a) ‘Chapter 11 of The director’s craft: a handbook for the theatre’, in. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203889701.

Mitchell, K. (2009b) The director’s craft: a handbook for the theatre. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203889701.

Mitter, S. (1992) Systems of rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037253950002418&institutionId=2418&customerId=2415.

Mitter, S. and Shevtsova, M. (2005) Fifty key theatre directors. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037253940002418&institutionId=2418&customerId=2415.

Moseley, N. (2016) Actioning and how to do it. London: Nick Hern Books.

Nally, C. and Smith, A. (2013) Chapter 3 of Naked Exhibitionism: Gendered Performance and Public Exposure. London: I.B.Tauris.

O’Reilly, K. (2016) ‘the 9 Fridas’, in Atypical plays for atypical actors. London: Oberon Books, pp. 171–213.

Ostermeier, T. (no date) ‘Hamlet’.

Oswald, L. (1989a) Jean Genet and the semiotics of performance. Bloomington, [Ind.]: Indiana University Press.

Oswald, L. (1989b) Jean Genet and the semiotics of performance. Bloomington, [Ind.]: Indiana University Press.

Pappelbaum, J. and Dürrschmidt, A. (2006) ‘You should be able to sit in an Ibsen play: An interview with Jan Pappelbaum’, in Dem Einzelnen ein Ganzes: BuÌhnen = A whole for the parts : stages. Berlin: Theater der Zeit, pp. 16–30.

Parker-Starbuck, J. (2014a) ‘CONTROLling the channel: House/lights and intersecting landscapes’, in Cyborg theatre: corporeal/technological intersections in multimedia performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, pp. 110–119.

Parker-Starbuck, J. (2014b) Cyborg theatre: corporeal/technological intersections in multimedia performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Pavis, P. (2013a) Contemporary mise en scène: staging theatre today. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203125137.

Pavis, P. (2013b) Contemporary mise en scène: staging theatre today. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203125137.

Quadri, F., Bertoni, F. and Stearns, R. (1998) Robert Wilson. New York: Rizzoli.

Quick, A. (2007) ‘House/Lights’, in The Wooster Group work book. London: Routledge, pp. 164–219.

Review of Roman Tragedies (no date). Available at: http://www.tandfonline.com/doi/pdf/10.1080/17450918.2010.527362.

Richards, T. and Grotowski, J. (1995) At work with Grotowski on physical actions. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037248920002418&institutionId=2418&customerId=2415.

Roberts, P., Stafford-Clark, M. and Haynes, J. (2007) Taking stock: the theatre of Max Stafford-Clark. London: Nick Hern.

Romanska, M. and ebrary, Inc (2012) The post-traumatic theatre of Grotowski and Kantor: history and Holocaust in Akropolis and The dead class. London: Anthem Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10651449.

Rossacher, H. et al. (2007) ‘Woyzeck’. [Issy-les-Moulineaux?]: [Arte France?].

Saunders, G. (2002) ‘“Cleansed”’, in ‘Love me or kill me’: Sarah Kane and the theatre of extremes. Manchester: Manchester University Press, pp. 86–99.

Saunders, G. (2009) About Kane: the playwright and the work. London: Faber and Faber.

Savran, D. and Savran, D. (1988) Breaking the rules: the Wooster Group. New York: Theatre Communications Group.

Shepherd, S. (2012a) Direction. Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://primo.aber.ac.uk/view/action/uresolver.do?operation=resolveService&package_service_id=5445943600002418&institutionId=2418&customerId=2415&VE=true.

Shepherd, S. (2012b) Direction. Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039373230002418&institutionId=2418&customerId=2415.

Shyer, L. (1989) Robert Wilson and his collaborators. 1st ed. New York, NY: Theatre Communications Group.

Stafford-Clark, M. (1990) ‘Extract’, in Letters to George: the account of a rehearsal. London: Nick Hern, pp. 66–73. Available at: https://contentstore.cla.co.uk/secure/link?id=68437c2b-087c-e611-80c6-005056af4099.

Stein, P. (1971) ‘Peer Gynt’.

Strindberg, A. (2006) ‘Miss Julie’, Methuen student editions. Available at: http://dx.doi.org/10.5040/9781408168189.00000018.

Szondi, P. and Hays, M. (1987) Theory of the modern drama: a critical edition. Minneapolis: University of Minneapolis Press.

The Play of Regie | Issue No.10 (no date). Available at: http://www.criticalstages.org/the-play-of-regie/.

Theatre Laid Bare - The New Yorker (no date). Available at: http://www.newyorker.com/magazine/2015/10/26/theatre-laid-bare.

Thomas Ostermeier (2014) ‘“The More Political We Are, the Better We Sell”: A Conversation about the Political Potential of Directing Classical Drama and the Nasty Traps of Today’s Cultural Industry’, Performance Paradigm [Preprint], (10). Available at: http://www.performanceparadigm.net/index.php/journal/article/view/142/141.

‘Thomas Ostermeier, “Reading and Staging Ibsen”’ (no date). Available at: http://www.schaubuehne.de/uploads/Reading-and-Staging-Ibsen.pdf.

Toporkov, V.O. (1979) Stanislavski in rehearsal: the final years. New York: Routledge.

Trevis, D. (2012) Being a director: a life in theatre. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203816363.

Twitchin, M. (2016) The Theatre of Death - The Uncanny in Mimesis 2016: Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor. 1st ed. 2016. Basingstoke: Palgrave Macmillan.

Viotte, M. et al. (2007) ‘60 Ans festival d’Avignon’. Strasbourg: Arte Boutique.

Vos, L. de and Saunders, G. (2010) Sarah Kane in context. Manchester, UK: Manchester University Press.

Whyman, R. (2013) Stanislavski. London: Routledge.

Witts, N. (2010) Tadeusz Kantor. Milton Park, Abingdon, Oxon: Routledge.

Worthen, W.B. (2014) Shakespeare performance studies. Cambridge: Cambridge University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781316013601.

Woycicki, P. (2014) Post-cinematic theatre and performance. Houndmills, Basingstoke: Palgrave Macmillan.