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Carl Plantinga (no date) ‘Disgusted at the Movies’, Film Studies, 8(1), pp. 81–92. doi: https://doi.org/10.7227/FS.8.9.
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Cleto, F. (1999) Camp: queer aesthetics and the performing subject : a reader. Edinburgh: Edinburgh University Press.
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Denis, C. (2005) ‘Trouble every day.’ [U.K.]: Tartan.
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Dunye, C. et al. (2003) ‘The watermelon woman.’ [London]: Peccadillo.
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Elsaesser, T. (no date) ‘Sight and sound.’ London: British Film Institute, 4(4), pp. 22–27.
Ezra, E. (2004a) European cinema. Oxford: Oxford University Press.
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Le Fanu, M. (1987) The cinema of Andrei Tarkovsky. London: BFI Pub.
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Frey, M. (2016) Extreme cinema: the transgressive rhetoric of today’s art film culture. New Brunswick, New Jersey: Rutgers University Press.
Fusco, K. and Seymour, N. (2017) Kelly Reichardt. Champaign: University of Illinois Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780252050107.
Galt, R. and Schoonover, K. (2010a) Global art cinema: new theories and histories. New York: Oxford University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039389080002418&institutionId=2418&customerId=2415.
Galt, R. and Schoonover, K. (2010b) Global art cinema: new theories and histories. New York: Oxford University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037230960002418&institutionId=2418&customerId=2415.
Galt, R. and Schoonover, K. (2010c) ‘Introduction: The Impurity of Art Cinema’, in Global art cinema: new theories and histories. New York: Oxford University Press, pp. 3–30. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361182360002418&institutionId=2418&customerId=2415.
Gibbs, J. and Pye, D. (2017) ‘The Long Take - Critical Approaches’, in The Long Take: Critical Approaches. Palgrave Macmillan, pp. 1–26. Available at: https://whel-primo.hosted.exlibrisgroup.com/primo-explore/fulldisplay?docid=44WHELF_ABW_ALMA_DS5194503050002418&context=L&vid=44WHELF_ABW_VU1&lang=en_US&search_scope=LSCOP_44WHELF_ABW&adaptor=Local%20Search%20Engine&isFrbr=true&tab=local&query=any,contains,the%20long%20take&sortby=rank&offset=0.
Grant, C. and Kuhn, A. (2006a) Screening world cinema. London: Routledge.
Grant, C. and Kuhn, A. (2006b) Screening world cinema. London: Routledge.
Griffiths, R. (2011) ‘New Queer Cinema’, in Routledge international encyclopedia of queer culture. Pbk. ed. New York: Routledge, pp. 424–426.
Gronstad, A. (2012) ‘Against Commodification: Unwatchable Cinema and the Question of Ethics’, in Screening the unwatchable: spaces of negation in post-millennial art cinema. Basingstoke: Palgrave Macmillan, pp. 15–42. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230355859.
Grønstad, A. (2016) Film and the ethical imagination. London, United Kingdom: Palgrave Macmillan.
Grundmann, R. (2010) A companion to Michael Haneke. Chichester: Wiley-Blackwell.
Hall, E. D. (2019) The films of Kelly Reichardt. Edinburgh: Edinburgh University Press.
Haneke, M. et al. (2005) ‘Hidden: (Caché).’ [S.l.]: Artificial Eye.
Haneke, M., Heiduschka, V., et al. (2006) ‘71 fragments of a chronology of chance.’ New York, N.Y.: Kino Internation Corp.
Haneke, M. (2006) ‘Benny’s video.’ New York: Kino Video.
Haneke, M., Doll, B., et al. (2006) ‘The seventh continent.’ New York: Kino International Corp.
Hanich, J. (2009) ‘Dis/liking disgust: the revulsion experience at the movies’, New Review of Film and Television Studies, 7(3), pp. 293–309. doi: 10.1080/17400300903047052.
Haynes, T. (1999) ‘Poison [Videorecording].’ New York: Fox Lorber.
Hill, J. and Gibson, P. C. (2000) World cinema: critical approaches. Oxford: Oxford University Press.
Hjort, M. (2005) Small nation, global cinema: the new Danish cinema. Minneapolis: University of Minnesota Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361179340002418&institutionId=2418&customerId=2415.
Hjort, M. and MacKenzie, S. (2003) Purity and provocation: Dogma 95. London: BFI Pub.
Horeck, T. and Kendall, T. (2011) The new extremism in cinema: from France to Europe. Edinburgh: Edinburgh University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361180650002418&institutionId=2418&customerId=2415.
Inglis, D. and Hughson, J. (2005) The sociology of art: ways of seeing. Basingstoke: Palgrave Macmillan.
Jaffe, I. (2014) Slow Movies: Countering the Cinema of Action. New York: Columbia University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361182250002418&institutionId=2418&customerId=2415.
Jansuda, J. et al. (2006) ‘Blissfully yours.’ [U.K.]: Second Run.
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Johnson, B. (2016) ‘Art Cinema and    : Tape-recorded Testimony, Film Art and Feminism’, Journal of British Cinema and Television, 13(2), pp. 278–291. doi: 10.3366/jbctv.2016.0313.
De Jong, W., Austin, T. and De Jong, W. (2008) Rethinking documentary: new perspectives and practices. Buckingham: Open University. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361180560002418&institutionId=2418&customerId=2415.
Kelly, R. (2000) The Name of this book is Dogme95. London: Faber and Faber.
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King, G. (2019) Positioning art cinema: film and cultural value. London: I.B. Tauris. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781786735560.
Koepnick, L. P. (2014) On slowness: toward an aesthetic of the contemporary. New York: Columbia University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3476934040002418&institutionId=2418&customerId=2415.
Koepnick, L. P. (2017) The long take: art cinema and the wondrous. Minneapolis: University of Minnesota Press.
Korine, H. (2001) ‘Julien donkey-boy.’ London: Tartan Video.
Kovács, A. B. (2008) Screening Modernism: European Art Cinema, 1950-1980. Chicago: University of Chicago Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039389050002418&institutionId=2418&customerId=2415.
Libby  Saxton (no date) ‘Secrets and revelations: Off-screen space in Michael Haneke’s Caché (2005)’, Studies in French Cinema. Routledge, 19(1), pp. 5–17. Available at: https://www.tandfonline.com/doi/abs/10.1386/sfci.7.1.5_1.
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McCann, B. and Sorfa, D. (2011) The cinema of Michael Haneke: Europe Utopia. London: Wallflower Press.
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