Bibliography for FM24420 Art Cinema | Aberystwyth University

@inbook{Aaron_2004, address={Edinburgh}, title={New Queer Cinema: an introduction}, booktitle={New queer cinema: a critical reader}, publisher={Edinburgh University Press}, author={Aaron, Michele}, year={2004}, pages={3–14} }

@misc{Akerman_Wauthion_Arestrup_Seyrig_Decorte_Storck_Clément_Griem_Noel_Carlotta Films_et al._2007, address={[Belgium]}, title={Chantal Akerman collection: les années 70, de jaren ’70}, publisher={Cinéart}, author={Akerman, Chantal and Wauthion, Claire and Arestrup, Niels and Seyrig, Delphine and Decorte, Jan and Storck, Henri and Clément, Aurore and Griem, Helmut and Noel, Magali and Carlotta Films and Paradise Films and Helene Films. Unité Trois and Institut national de l’audiovisuel (France) and Zweites Deutsches Fernsehen and Cine Art Productions}, year={2007} }

@book{Andrew_2010, address={Chichester}, title={What cinema is!: Bazin’s quest and its charge}, publisher={Wiley-Blackwell}, author={Andrew, Dudley}, year={2010} }

@book{Andrews_2013, address={Austin}, title={Theorizing art cinemas: foreign, cult, avant-garde, and beyond}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039316430002418&institutionId=2418&customerId=2415}, publisher={University of Texas Press}, author={Andrews, David}, year={2013} }

@misc{Antonioni_2008, address={[s.l.]}, title={L’avventura}, publisher={Mr Bongo Films}, author={Antonioni, Michelangelo}, year={2008} }

@inbook{Babuscio_2004, address={New York}, title={Camp and the Gay Sensibility}, volume={In focus--Routledge film readers}, booktitle={Queer cinema: the film reader}, publisher={Routledge}, author={Babuscio, Jack}, year={2004}, pages={121–136} }

@book{Badley_Palmer_Schneider_2006a, address={Edinburgh}, title={Traditions in world cinema}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3869813690002418&institutionId=2418&customerId=2415}, publisher={Edinburgh University Press}, author={Badley, Linda and Palmer, R. Barton and Schneider, Steven Jay}, year={2006} }

@book{Badley_Palmer_Schneider_2006b, address={Edinburgh}, title={Traditions in world cinema}, volume={Traditions in world cinema}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039450800002418&institutionId=2418&customerId=2415}, publisher={Edinburgh University Press}, author={Badley, Linda and Palmer, R. Barton and Schneider, Steven Jay}, year={2006} }

@misc{Barnard_Virk_Dudgeon_Dolan_Webb_Bottomley_2011, address={[S.l.]}, title={The arbor}, publisher={Verve Pictures}, author={Barnard, Clio and Virk, Manjinder and Dudgeon, Neil and Dolan, Monica and Webb, Danny and Bottomley, Christine}, year={2011} }

@book{Baumann_2007, address={Princeton}, title={Hollywood highbrow: from entertainment to art}, volume={Princeton studies in cultural sociology}, publisher={Princeton University Press}, author={Baumann, Shyon}, year={2007} }

@book{Betz_2009a, address={Minneapolis}, title={Beyond the subtitle: remapping European art cinema}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361177810002418&institutionId=2418&customerId=2415}, publisher={University of Minnesota Press}, author={Betz, Mark}, year={2009} }

@book{Betz_2009b, address={Minneapolis}, title={Beyond the subtitle: remapping European art cinema}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039362380002418&institutionId=2418&customerId=2415}, publisher={University of Minnesota Press}, author={Betz, Mark}, year={2009} }

@book{Beugnet_2007a, address={Edinburgh}, title={Cinema and sensation: French film and the art of transgression}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361179520002418&institutionId=2418&customerId=2415}, publisher={Edinburgh University Press}, author={Beugnet, Martine}, year={2007} }

@book{Beugnet_2007b, address={Edinburgh}, title={Cinema and sensation: French film and the art of transgression}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037304280002418&institutionId=2418&customerId=2415}, publisher={Edinburgh University Press}, author={Beugnet, Martine}, year={2007} }

@book{Bird_2008, address={London}, title={Andrei Tarkovsky: elements of cinema}, publisher={Reaktion Books}, author={Bird, Robert}, year={2008} }

@book{Bordun_2017, address={Cham, Switzerland}, title={Genre trouble and extreme cinema: film theory at the fringes of contemporary art cinema}, url={http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9783319658940}, publisher={Palgrave Macmillan}, author={Bordun, Troy}, year={2017} }

@book{Bordwell_1985, address={Madison}, title={Narration in the fiction film}, publisher={University of Wisconsin Press}, author={Bordwell, David}, year={1985} }

@book{Bordwell_2008, address={New York}, title={Poetics of cinema}, publisher={Routledge}, author={Bordwell, David}, year={2008} }

@inbook{Bordwell_2016, address={Oxford}, edition={Eighth edition}, title={The Art Cinema as a Mode of Film Practice}, booktitle={Film theory and criticism: introductory readings}, publisher={Oxford University Press}, author={Bordwell, David}, editor={Braudy, Leo and Cohen, Marshall}, year={2016}, pages={580–588} }

@book{Bordwell_Thompson_Smith_2019, address={New York, NY}, edition={Twelfth edition}, title={Film art: an introduction}, url={https://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781260568585}, publisher={McGraw-Hill Education}, author={Bordwell, David and Thompson, Kristin and Smith, Jeff}, year={2019} }

@book{Bould_2014, address={Basingstoke, Hampshire}, title={Solaris}, publisher={Palgrave Macmillan on behalf of the British Film Institute}, author={Bould, Mark}, year={2014} }

@book{Breillat_2004, address={[U.S.]}, edition={Special ed}, title={Fat girl}, volume={259}, publisher={Criterion collection}, author={Breillat, Catherine}, year={2004} }

@book{Brunette_2010, address={Urbana}, title={Michael Haneke}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3869802650002418&institutionId=2418&customerId=2415}, publisher={University of Illinois Press}, author={Brunette, Peter}, year={2010} }

@inbook{Bruzzi_2006, address={Abingdon}, edition={2nd ed}, title={Chapter 6 - The Performative Documentary}, url={http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203967386}, booktitle={New documentary: a critical introduction}, publisher={Routledge}, author={Bruzzi, Stella}, year={2006}, pages={185–218} }

@book{Caglayan_2018, address={Basingstoke, Hampshire}, title={Poetics of slow cinema: nostalgia, absurdism, boredom}, publisher={Palgrave Macmillan}, author={Caglayan, Emre}, year={2018} }

@article{Carl Plantinga, title={Disgusted at the Movies}, volume={8}, url={https://www.manchesterhive.com/view/journals/fs/8/1/article-p81.xml}, DOI={https://doi.org/10.7227/FS.8.9}, number={1}, journal={Film Studies}, author={Carl Plantinga}, pages={81–92} }

@article{Carruthers_2011, title={M. Bazin et le temps: reclaiming the timeliness of cinematic time}, volume={52}, DOI={10.1093/screen/hjq053}, number={1}, journal={Screen}, author={Carruthers, L.}, year={2011}, month={Mar}, pages={13–29} }

@book{Cleto_1999, address={Edinburgh}, title={Camp: queer aesthetics and the performing subject : a reader}, publisher={Edinburgh University Press}, author={Cleto, Fabio}, year={1999} }

@book{Cowie_2011, address={Minneapolis}, title={Recording Reality, Desiring the Real}, volume={Visible Evidence}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039449080002418&institutionId=2418&customerId=2415}, publisher={University of Minnesota Press}, author={Cowie, Elizabeth}, year={2011} }

@book{Davis_2013, address={Oxford}, title={The desiring-image: Gilles Deleuze and contemporary queer cinema}, publisher={Oxford University Press}, author={Davis, Nick}, year={2013} }

@book{De Jong_Austin_De Jong_2008, address={Buckingham}, title={Rethinking documentary: new perspectives and practices}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361180560002418&institutionId=2418&customerId=2415}, publisher={Open University}, author={De Jong, Wilma and Austin, Thomas and De Jong, Wilma}, year={2008} }

@inbook{De Luca_Jorge_2016, address={Edinburgh}, title={Introduction}, volume={Traditions in world cinema}, booktitle={Slow cinema}, publisher={Edinburgh University Press}, author={De Luca, Tiago and Jorge, Nuno Barradas}, editor={De Luca, Tiago and Jorge, Nuno Barradas}, year={2016}, pages={1–21} }

@book{Deleuze_2005, address={London}, title={Cinema 2: the time-image}, publisher={Continuum}, author={Deleuze, Gilles}, year={2005} }

@book{Deleuze_Tomlinson_Galeta_1989a, address={London}, title={Cinema 2: the time image}, publisher={Athlone Press}, author={Deleuze, Gilles and Tomlinson, Hugh and Galeta, Robert}, year={1989} }

@book{Deleuze_Tomlinson_Galeta_1989b, address={London}, title={Cinema 2: the time image}, publisher={Athlone Press}, author={Deleuze, Gilles and Tomlinson, Hugh and Galeta, Robert}, year={1989} }

@misc{Denis_2005, address={[U.K.]}, title={Trouble every day}, publisher={Tartan}, author={Denis, Claire}, year={2005} }

@book{Doane_2002, address={Cambridge, Mass}, title={The emergence of cinematic time: modernity, contingency, the archive}, publisher={Harvard University Press}, author={Doane, Mary Ann}, year={2002} }

@misc{Dolan_Chokri_Schneider_Weber-Biron_IFC Films_MPI Media Group_2011, address={[S.l.]}, title={Heartbeats: Amours imaginaires}, publisher={Network Releasing}, author={Dolan, Xavier and Chokri, Monia and Schneider, Niels and Weber-Biron, Stéphanie Anne and IFC Films and MPI Media Group}, year={2011} }

@misc{Dumont_2005, address={London}, title={Twentynine palms}, publisher={Tartan Video}, author={Dumont, Bruno}, year={2005} }

@misc{Dumont_2008, address={UK}, title={La vie de Jésus =: The life of Jesus}, volume={60}, publisher={Eureka Video}, author={Dumont, Bruno}, year={2008} }

@misc{Dumont, address={U.K.}, title={L’humanité}, publisher={Artificial Eye, [1999?]}, author={Dumont, Bruno} }

@misc{Dunye_Shapiro_Turner_Walker_Bronson_2003, address={[London]}, edition={20th anniversary restoration}, title={The watermelon woman}, publisher={Peccadillo}, author={Dunye, Cheryl and Shapiro, Paul and Turner, Guinevere and Walker, Valarie and Bronson, Lisa Marie}, year={2003} }

@misc{Duval_True_Bexton_Mastrolanni_Mazar_Araki_2003, address={[U.K.]}, title={Nowhere}, publisher={Pathé}, author={Duval, James and True, Rachel and Bexton, Nathan and Mastrolanni, Chiara and Mazar, Debi and Araki, Gregg}, year={2003} }

@book{Elsaesser_2005, address={Amsterdam}, title={European Cinema: Face to Face with Hollywood}, volume={Film Culture in Transition}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039389060002418&institutionId=2418&customerId=2415}, publisher={Amsterdam University Press}, author={Elsaesser, Thomas}, year={2005} }

@article{Elsaesser, address={London}, title={Sight and sound}, volume={4}, number={4}, publisher={British Film Institute}, author={Elsaesser, Thomas}, pages={22–27} }

@book{Ezra_2004a, address={Oxford}, title={European cinema}, publisher={Oxford University Press}, author={Ezra, Elizabeth}, year={2004} }

@book{Ezra_2004b, address={Oxford}, title={European cinema}, publisher={Oxford University Press}, author={Ezra, Elizabeth}, year={2004} }

@book{Forbes_Street_2000, address={Basingstoke}, title={European cinema: an introduction}, publisher={Palgrave}, author={Forbes, Jill and Street, Sarah}, year={2000} }

@book{Fowler_2002a, address={London}, title={The European cinema reader}, publisher={Routledge}, author={Fowler, Catherine}, year={2002} }

@book{Fowler_2002b, address={London}, title={The European cinema reader}, publisher={Routledge}, author={Fowler, Catherine}, year={2002} }

@book{Frey_2016, address={New Brunswick, New Jersey}, title={Extreme cinema: the transgressive rhetoric of today’s art film culture}, publisher={Rutgers University Press}, author={Frey, Mattias}, year={2016} }

@book{Fusco_Seymour_2017, address={Champaign}, title={Kelly Reichardt}, volume={152}, url={http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780252050107}, publisher={University of Illinois Press}, author={Fusco, Katherine and Seymour, Nicole}, year={2017} }

@inbook{Galt_Schoonover_2010a, address={Oxford}, title={Introduction: The Impurity of Art Cinema}, url={https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5829099090002418&institutionId=2418&customerId=2415}, booktitle={Global art cinema: new theories and histories}, publisher={Oxford University Press}, author={Galt, Rosalind and Schoonover, Karl}, year={2010}, pages={3–30} }

@book{Galt_Schoonover_2010b, address={New York}, title={Global art cinema: new theories and histories}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039389080002418&institutionId=2418&customerId=2415}, publisher={Oxford University Press}, author={Galt, Rosalind and Schoonover, Karl}, year={2010} }

@book{Galt_Schoonover_2010c, address={New York}, title={Global art cinema: new theories and histories}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037230960002418&institutionId=2418&customerId=2415}, publisher={Oxford University Press}, author={Galt, Rosalind and Schoonover, Karl}, year={2010} }

@inbook{Gibbs_Pye_2017, address={LONDON}, title={The Long Take - Critical Approaches}, url={https://www.vlebooks.com/Product/Index/1003393?page=1}, booktitle={LONG TAKE : CRITICAL APPROACHES; ED. BY JOHN GIBBS.}, publisher={PALGRAVE MACMILLAN}, author={Gibbs, John and Pye, Douglas}, year={2017}, pages={1–26} }

@book{Grant_Kuhn_2006a, address={London}, title={Screening world cinema}, publisher={Routledge}, author={Grant, Catherine and Kuhn, Annette}, year={2006} }

@book{Grant_Kuhn_2006b, address={London}, title={Screening world cinema}, publisher={Routledge}, author={Grant, Catherine and Kuhn, Annette}, year={2006} }

@inbook{Griffiths_2011, address={New York}, edition={Pbk. ed}, title={New Queer Cinema}, booktitle={Routledge international encyclopedia of queer culture}, publisher={Routledge}, author={Griffiths, R}, year={2011}, pages={424–426} }

@inbook{Gronstad_2012, address={Basingstoke}, title={Against Commodification: Unwatchable Cinema and the Question of Ethics}, url={http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780230355859}, booktitle={Screening the unwatchable: spaces of negation in post-millennial art cinema}, publisher={Palgrave Macmillan}, author={Gronstad, Asbjorn}, year={2012}, pages={15–42} }

@book{Grønstad_2016, address={London, United Kingdom}, title={Film and the ethical imagination}, publisher={Palgrave Macmillan}, author={Grønstad, Asbjørn}, year={2016} }

@book{Grundmann_2010, address={Chichester}, title={A companion to Michael Haneke}, volume={1}, publisher={Wiley-Blackwell}, author={Grundmann, Roy}, year={2010} }

@book{Hall_2019, address={Edinburgh}, title={The films of Kelly Reichardt}, publisher={Edinburgh University Press}, author={Hall, E. Dawn}, year={2019} }

@misc{Haneke_2006, address={New York}, title={Benny’s video}, publisher={Kino Video}, author={Haneke, Michael}, year={2006} }

@misc{Haneke_Auteuil_Binoche_Bénichou_Artificial Eye (Firm)_2005, address={[S.l.]}, title={Hidden: (Caché)}, publisher={Artificial Eye}, author={Haneke, Michael and Auteuil, Daniel and Binoche, Juliette and Bénichou, Maurice and Artificial Eye (Firm)}, year={2005} }

@misc{Haneke_Doll_Berner_Tanzer_Fenz_Samel_2006, address={New York}, title={The seventh continent}, publisher={Kino International Corp}, author={Haneke, Michael and Doll, Birgit and Berner, Dieter and Tanzer, Leni and Fenz, Silvia and Samel, Udo}, year={2006} }

@misc{Haneke_Heiduschka_Berger_Wega Film (Firm)_Camera Film_Kino International Corporation_2006, address={New York, N.Y.}, title={71 fragments of a chronology of chance}, publisher={Kino Internation Corp}, author={Haneke, Michael and Heiduschka, Veit and Berger, Christian and Wega Film (Firm) and Camera Film and Kino International Corporation}, year={2006} }

@article{Hanich_2009, title={Dis/liking disgust: the revulsion experience at the movies}, volume={7}, DOI={10.1080/17400300903047052}, number={3}, journal={New Review of Film and Television Studies}, author={Hanich, Julian}, year={2009}, month={Sep}, pages={293–309} }

@misc{Haynes_1999, address={New York}, title={Poison [Videorecording]}, publisher={Fox Lorber}, author={Haynes, Todd}, year={1999} }

@book{Hill_Gibson_2000, address={Oxford}, title={World cinema: critical approaches}, publisher={Oxford University Press}, author={Hill, John and Gibson, Pamela Church}, year={2000} }

@book{Hjort_2005, address={Minneapolis}, title={Small nation, global cinema: the new Danish cinema}, volume={v. 15}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361179340002418&institutionId=2418&customerId=2415}, publisher={University of Minnesota Press}, author={Hjort, Mette}, year={2005} }

@book{Hjort_MacKenzie_2003, address={London}, title={Purity and provocation: Dogma 95}, publisher={BFI Pub}, author={Hjort, Mette and MacKenzie, Scott}, year={2003} }

@book{Horeck_Kendall_2011, address={Edinburgh}, title={The new extremism in cinema: from France to Europe}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361180650002418&institutionId=2418&customerId=2415}, publisher={Edinburgh University Press}, author={Horeck, Tanya and Kendall, Tina}, year={2011} }

@book{Inglis_Hughson_2005, address={Basingstoke}, title={The sociology of art: ways of seeing}, publisher={Palgrave Macmillan}, author={Inglis, David and Hughson, John}, year={2005} }

@book{Jaffe_2014, address={New York}, title={Slow Movies: Countering the Cinema of Action}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361182250002418&institutionId=2418&customerId=2415}, publisher={Columbia University Press}, author={Jaffe, Ira}, year={2014} }

@misc{Jansuda_Apichatpong Weerasethakul_Kanokporn Tongaram_Min Oo_2006, address={[U.K.]}, edition={Widescreen}, title={Blissfully yours}, publisher={Second Run}, author={Jansuda, Jenjira and Apichatpong Weerasethakul and Kanokporn Tongaram and Min Oo}, year={2006} }

@misc{Jarman_Marlowe_2010, address={[London]}, edition={Remastered edition}, title={Edward II}, publisher={Second Sight Films Ltd}, author={Jarman, Derek and Marlowe, Christopher}, year={2010} }

@misc{Jia_Zhao_Han_2008, address={[U.K.]}, title={Still life}, volume={753}, publisher={BFI}, author={Jia, Zhangke and Zhao, Tao and Han, Sanming}, year={2008} }

@article{Johnson_2016, title={Art Cinema and : Tape-recorded Testimony, Film Art and Feminism}, volume={13}, DOI={10.3366/jbctv.2016.0313}, number={2}, journal={Journal of British Cinema and Television}, author={Johnson, Beth}, year={2016}, month={Apr}, pages={278–291} }

@book{Kelly_2000, address={London}, title={The Name of this book is Dogme95}, publisher={Faber and Faber}, author={Kelly, Richard}, year={2000} }

@book{Kilbourn_2011, address={New York}, title={Cinema, memory, modernity: the representation of memory from the art film to transnational cinema}, volume={Routledge advances in film studies}, publisher={Routledge}, author={Kilbourn, Russell J. A.}, year={2011} }

@book{King_2019, address={London}, title={Positioning art cinema: film and cultural value}, volume={58}, url={http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781786735560}, publisher={I.B. Tauris}, author={King, Geoff}, year={2019} }

@book{Koepnick_2014, address={New York}, title={On slowness: toward an aesthetic of the contemporary}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3476934040002418&institutionId=2418&customerId=2415}, publisher={Columbia University Press}, author={Koepnick, Lutz P.}, year={2014} }

@book{Koepnick_2017, address={Minneapolis}, title={The long take: art cinema and the wondrous}, publisher={University of Minnesota Press}, author={Koepnick, Lutz P.}, year={2017} }

@misc{Korine_2001, address={London}, title={Julien donkey-boy}, publisher={Tartan Video}, author={Korine, Harmony}, year={2001} }

@book{Kovács_2008, address={Chicago}, title={Screening Modernism: European Art Cinema, 1950-1980}, volume={Cinema and Modernity}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039389050002418&institutionId=2418&customerId=2415}, publisher={University of Chicago Press}, author={Kovács, András Bálint}, year={2008} }

@book{Le Fanu_1987, address={London}, title={The cinema of Andrei Tarkovsky}, publisher={BFI Pub}, author={Le Fanu, Mark}, year={1987} }

@article{Libby Saxton, title={Secrets and revelations: Off-screen space in Michael Haneke’s Caché (2005)}, volume={19}, url={https://www.tandfonline.com/doi/abs/10.1386/sfci.7.1.5_1}, number={1}, journal={Studies in French Cinema}, publisher={Routledge}, author={Libby Saxton}, pages={5–17} }

@book{Lübecker_2015, address={Edinburgh, Scotland}, title={The feel-bad film}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361170730002418&institutionId=2418&customerId=2415}, publisher={Edinburgh University Press}, author={Lübecker, Nikolaj d’Origny}, year={2015} }

@book{Ma_2010, address={Hong Kong}, title={Melancholy drift: marking time in Chinese cinema}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361170660002418&institutionId=2418&customerId=2415}, publisher={Hong Kong University Press}, author={Ma, Jean}, year={2010} }

@book{McCann_Sorfa_2012, address={New York}, title={The Cinema of Michael Haneke: Europe Utopia}, url={https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4978564170002418&institutionId=2418&customerId=2415}, publisher={Columbia University Press}, author={McCann, Ben and Sorfa, David}, year={2012} }

@inbook{Mello_2016, address={Edinburgh}, title={If These Walls Could Speak: From Slowness to Stillness in the Cineam of Jia Zhangke}, volume={Traditions in world cinema}, booktitle={Slow cinema}, publisher={Edinburgh University Press}, author={Mello, Cecilia}, editor={De Luca, Tiago and Jorge, Nuno Barradas}, year={2016}, pages={137–149} }

@book{Menninghaus_2003, address={Albany}, title={Disgust: the theory and history of a strong sensation}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3369193050002418&institutionId=2418&customerId=2415}, publisher={State University of New York Press}, author={Menninghaus, Winfried}, year={2003} }

@inbook{Meyer_2004, address={New York}, title={Reclaiming the Discourse of Camp}, volume={In focus--Routledge film readers}, booktitle={Queer cinema: the film reader}, publisher={Routledge}, author={Meyer, Moe}, year={2004}, pages={137–150} }

@book{Mroz_2012, address={Edinburgh}, title={Temporality and film analysis}, publisher={Edinburgh University Press}, author={Mroz, Matilda}, year={2012} }

@book{Nagib_Perriam_Dudrah_2012, address={London}, title={Theorizing world cinema}, volume={Tauris world cinema series}, url={http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780857721044}, publisher={I.B. Tauris}, author={Nagib, Lúcia and Perriam, Chris and Dudrah, Rajinder Kumar}, year={2012} }

@article{Neale_1981, title={Art Cinema as Institution}, volume={22}, DOI={10.1093/screen/22.1.11}, number={1}, journal={Screen}, author={Neale, S.}, year={1981}, month={May}, pages={11–40} }

@book{Nichols_2017, address={Bloomington, Indiana}, edition={Third edition}, title={Introduction to documentary}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3923488730002418&institutionId=2418&customerId=2415}, publisher={Indiana University Press}, author={Nichols, Bill}, year={2017} }

@misc{Noé_2003, title={Irreversible}, publisher={Tartan Video}, author={Noé, Gaspar}, year={2003} }

@inbook{Nowell-Smith_1996, address={Oxford}, title={Art Cinema}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361179570002418&institutionId=2418&customerId=2415}, booktitle={The Oxford history of world cinema}, publisher={Oxford University Press}, author={Nowell-Smith, Geoffrey}, year={1996}, pages={567–575} }

@book{Parkins_Craig_2006, address={Oxford}, title={Slow living}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361182260002418&institutionId=2418&customerId=2415}, publisher={Berg}, author={Parkins, Wendy and Craig, Geoffrey}, year={2006} }

@article{Petric_1989, title={Tarkovsky’s Dream Imagery}, volume={43}, DOI={10.2307/1212806}, number={2}, journal={Film Quarterly}, author={Petric, Vlada}, year={1989}, month={Dec}, pages={28–34} }

@inbook{Quandt_2011, address={Edinburgh}, title={Flesh and Blood: Sex and Violence in Recent French Cinema}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039831380002418&institutionId=2418&customerId=2415}, booktitle={The New Extremism in Cinema: From France to Europe}, publisher={Edinburgh University Press}, author={Quandt, James}, year={2011}, pages={15–18} }

@misc{Reichardt_Reichardt_Williams_Raymond_2009, address={[U.K.]}, title={Wendy and Lucy}, volume={086}, publisher={Soda}, author={Reichardt, Kelly and Reichardt, Kelly and Williams, Michelle and Raymond, Jonathan}, year={2009} }

@inbook{Renov_2008, address={Maidenhead}, title={First-person films: Some theses on self-inscription}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039443510002418&institutionId=2418&customerId=2415}, booktitle={Rethinking Documentary: New Perspectives And Practices}, publisher={McGraw-Hill Education}, author={Renov, Michael}, year={2008}, pages={39–50} }

@book{Rich_2013, address={Durham, [North Carolina]}, title={New queer cinema: the director’s cut}, publisher={Duke University Press}, author={Rich, B. Ruby}, year={2013} }

@book{Roman_2001, address={Los Angeles}, title={Digital Babylon: Hollywood, Indiewood & Dogme 95}, publisher={IFILM}, author={Roman, Shari}, year={2001} }

@book{Rosenthal_Corner_2005, address={Manchester}, edition={2nd ed}, title={New challenges for documentary}, publisher={Manchester University Press}, author={Rosenthal, Alan and Corner, John}, year={2005} }

@book{Russell_2010, address={New York}, title={Rape in art cinema}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3361169640002418&institutionId=2418&customerId=2415}, publisher={Continuum}, author={Russell, Dominique}, year={2010} }

@inbook{Sayad_2013, address={London}, title={The Author in the World: Trance, Presence and Documentary Filmmaking}, volume={Tauris world cinema series Performing authorship}, booktitle={Performing Authorship: Self-Inscription and Corporeality in the Cinema}, publisher={I.B.Tauris}, author={Sayad, Cecilia}, year={2013}, pages={71–106} }

@book{Skakov_2012, address={London}, title={The cinema of Tarkovsky: labyrinths of space and time}, url={http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780857721198}, publisher={I.B. Tauris}, author={Skakov, Nariman}, year={2012} }

@article{Society for Education in Film and Television_Neale, address={London}, title={Screen: the journal of the Society for Education in Film and Television}, volume={22}, number={1}, journal={Screen}, publisher={Society for Education in Film and Television}, author={Society for Education in Film and Television and Neale, Steve} }

@misc{Soderbergh_Clooney_McElhone_Davies_Davis_Tukur_Skelton_Kimball_Ensign_Carrillo_et al._2003, address={Los Angeles}, title={Solaris}, publisher={20th Century Fox}, author={Soderbergh, Steven and Clooney, George and McElhone, Natascha and Davies, Jeremy and Davis, Viola and Tukur, Ulrich and Skelton, Shane and Kimball, Donna and Ensign, Michael and Carrillo, Elpidia and Cho, John}, year={2003} }

@inbook{Sontag_1999, address={Edinburgh}, title={2. Notes on ‘Camp’}, booktitle={Camp: queer aesthetics and the performing subject : a reader}, publisher={Edinburgh University Press}, author={Sontag, Susan}, year={1999}, pages={53–65} }

@book{Speck_2010, address={New York}, title={Funny frames: the filmic concepts of Michael Haneke}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3869790080002418&institutionId=2418&customerId=2415}, publisher={Continuum}, author={Speck, Oliver C.}, year={2010} }

@inbook{Stacey_2007, address={London}, edition={3rd ed}, title={Queer Theory and New Queer Cinema}, booktitle={The cinema book}, publisher={British Film Institute Publishing}, author={Stacey, J}, year={2007}, pages={505–507} }

@book{Stevenson_2003, address={Santa Monica, CA}, title={Dogme uncut: Lars von Trier, Thomas Vinterburg, and the gang that took on Hollywood}, publisher={Santa Monica Press}, author={Stevenson, Jack}, year={2003} }

@book{Tarkovskiĭ_1986, address={Austin, TX}, edition={6th University of Texas Press ed}, title={Sculpting in time: reflections on the cinema}, publisher={University of Texas Press}, author={Tarkovskiĭ, Andreĭ Arsenʹevich}, year={1986} }

@misc{Tarkovskiĭ_Bondarchuk_Banionis_I͡Arvet_2001, address={[U.K.]}, title={Solaris}, publisher={Artificial Eye}, author={Tarkovskiĭ, Andreĭ Arsenʹevich and Bondarchuk, Natalʹi︠a︡ and Banionis, Donatas and I͡Arvet, I͡Uriĭ}, year={2001} }

@misc{Tarkovskiĭ_Guerra_Casati_Radiotelevisione italiana_Sovinfil_Opera Film Produzione_2002, address={[S.l.]}, edition={Special ed}, title={Nostalgia}, publisher={Artificial Eye}, author={Tarkovskiĭ, Andreĭ Arsenʹevich and Guerra, Tonino and Casati, Francesco and Radiotelevisione italiana and Sovinfil and Opera Film Produzione}, year={2002} }

@misc{Tarkovskiĭ_Misharin_Danilʹt͡sev_Terekhova_2002, address={[U.K.]}, title={Mirror: a film}, publisher={Artificial Eye}, author={Tarkovskiĭ, Andreĭ Arsenʹevich and Misharin, Aleksandr and Danilʹt͡sev, I. and Terekhova, Margarita}, year={2002} }

@misc{Tarkovskiĭ_Strugat︠s︡kiĭ_Strugat︠s︡kiĭ_Kaĭdanovskiĭ_2002, address={[U.K.]}, title={Stalker: a film}, publisher={Artificial Eye}, author={Tarkovskiĭ, Andreĭ Arsenʹevich and Strugat︠s︡kiĭ, Arkadiĭ and Strugat︠s︡kiĭ, Boris and Kaĭdanovskiĭ, Aleksandr}, year={2002} }

@book{Taxidou_Orr_2000a, address={Edinburgh}, title={Post-war cinema and modernity: a film reader}, publisher={Edinburgh University Press}, author={Taxidou, Olga and Orr, John}, year={2000} }

@book{Taxidou_Orr_2000b, address={Edinburgh}, title={Post-war cinema and modernity: a film reader}, publisher={Edinburgh University Press}, author={Taxidou, Olga and Orr, John}, year={2000} }

@book{Thomson_2014, address={Seattle}, title={Thomas Vinterberg’s Festen (The celebration)}, publisher={University of Washington Press}, author={Thomson, C. Claire}, year={2014} }

@article{TIM PALMER_2006, title={Style and Sensation in the Contemporary French Cinema of the Body}, volume={58}, url={http://www.jstor.org/stable/20688527?seq=1#page_scan_tab_contents}, number={3}, journal={Journal of Film and Video}, publisher={University of Illinois PressUniversity Film & Video AssociationUniversity of Illinois Press}, author={TIM PALMER}, year={2006}, pages={22–32} }

@misc{Trier_2000, address={London}, title={The idiots}, publisher={Tartan}, author={Trier, Lars von}, year={2000} }

@misc{Trier_Bjork_2002, address={London}, title={Dancer in the dark}, publisher={Film 4}, author={Trier, Lars von and Bjork}, year={2002} }

@inbook{von Trier_Vinterberg_2014, address={Berkeley}, title={DOGME 95 AND VOW OF CHASTITY}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039443520002418&institutionId=2418&customerId=2415}, booktitle={Film Manifestos and Global Cinema Cultures: A Critical Anthology}, publisher={University of California Press}, author={von Trier, Lars and Vinterberg, Thomas}, year={2014}, pages={201–203} }

@book{Turner_Walter_Mayer_Newland_Cowie_LUX (Organization)_2013, address={London}, title={Perestroika: Perestroika : reconstructed}, publisher={LUX}, author={Turner, Sarah E. and Walter, Matthew and Mayer, Sophie and Newland, Paul and Cowie, Elizabeth and LUX (Organization)}, year={2013} }

@inbook{Tutor_2005, address={Basingstoke}, title={The Rise and Fall of the Art (House) Movie}, booktitle={The sociology of art: ways of seeing}, publisher={Palgrave Macmillan}, author={Tutor, Andrew}, year={2005}, pages={125–138} }

@book{Tweedie_2013, address={New York}, title={The age of new waves: art cinema and the staging of globalization}, publisher={Oxford University Press}, author={Tweedie, James}, year={2013} }

@book{Valck_2007, address={Amsterdam}, title={Film festivals: from European geopolitics to global cinephilia}, volume={Film culture in transition}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037230940002418&institutionId=2418&customerId=2415}, publisher={Amsterdam University Press}, author={Valck, Marijke de}, year={2007} }

@misc{Van Sant_2008, address={U.K.}, title={My own private Idaho}, publisher={Warner Home Video}, author={Van Sant, Gus}, year={2008} }

@book{Van Sant_2009, address={Amsterdam}, title={Gus Van Sant: Milk, Paranoid Park, Last Days, Elephant, Mala Noche}, publisher={A Film}, author={Van Sant, Gus}, year={2009} }

@book{Vidal_Iordanova_Martin-Jones_Vidal, title={Cinema at the Periphery}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039372460002418&institutionId=2418&customerId=2415}, publisher={Wayne State University Press}, author={Vidal, Belen and Iordanova, Dina and Martin-Jones, David and Vidal, Belén} }

@misc{Vinterberg_2008, address={[U.K.]}, edition={10th anniversary ed}, title={Festen}, publisher={Metrodome}, author={Vinterberg, Thomas}, year={2008} }

@misc{Waters_2001, title={Pink flamingos/Female trouble}, volume={Vol.3}, publisher={New Line}, author={Waters, John}, year={2001} }

@article{Western Association for German Studies_German Studies Association_1978, address={Tempe, Ariz}, title={German studies review}, volume={30}, number={1}, publisher={Western Association for German Studies at Arizona State University}, author={Western Association for German Studies and German Studies Association}, year={1978}, pages={121–140} }

@book{Wheatley_2009, address={New York}, title={Michael Haneke’s cinema: the ethic of the image}, volume={v. 7}, publisher={Berghahn}, author={Wheatley, Catherine}, year={2009} }

@book{Wilinsky_2001, address={Minneapolis}, title={Sure seaters: the emergence of art house cinema}, publisher={University of Minnesota Press}, author={Wilinsky, Barbara}, year={2001} }

@book{Yosef_2011, address={New York}, title={The politics of loss and trauma in contemporary Israeli cinema}, volume={9}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3869813700002418&institutionId=2418&customerId=2415}, publisher={Routledge}, author={Yosef, Raz}, year={2011} }

@misc{Zidane_Gordon_Parreno_Khondji_Vaney_Vaney_Sigurjón Sighvatsson_Mogwai (Musical group)_Palomar Pictures (1992- )_Anna Lena Films_et al._2006, address={[S.l.]}, title={Zidane, a 21st century portrait}, publisher={Artificial Eye}, author={Zidane, Zinédine and Gordon, Douglas and Parreno, Philippe and Khondji, Darius and Vaney, Victorien and Vaney, Anna and Sigurjón Sighvatsson and Mogwai (Musical group) and Palomar Pictures (1992- ) and Anna Lena Films and Arte France cinéma (Firm) and Love Streams Agnès B. Productions}, year={2006} }

@inbook{Borders and Checkpoints_2012, booktitle={Place Memory And Myth In Contemporary Israeli Cinema}, publisher={Mitchell Vallentine & Company}, year={2012}, pages={41–55} }

@book{Papenburg_Zarzycka_2013, address={London}, title={Carnal aesthetics: transgressive imagery and feminist politics}, volume={International library of visual culture}, publisher={I.B. Tauris}, year={2013} }

@book{Meek_2019, address={New York}, title={Independent female filmmakers: a chronicle through interviews, profiles, and manifestos}, publisher={Routledge}, year={2019} }

@article{Time and the Film Aesthetics of Andrei Tarkovsky | Canadian Journal of Film Studies, url={https://utpjournals.press/doi/10.3138/cjfs.2.1.21} }

@misc{16:9 - November 2008 - In English: Towards an Aesthetic of Slow in Contemporary Cinema, url={http://www.16-9.dk/2008-11/side11_inenglish.htm} }

@book{ReFocus: The Films of Xavier Dolan, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3965828230002418&institutionId=2418&customerId=2415}, publisher={Edinburgh University Press} }

@misc{Self Made (Boreg) - Cineuropa, url={https://cineuropa.org/en/film/347450/} }

@misc{The New Extremisms: Rethinking Extreme Cinema, url={https://core.ac.uk/download/pdf/77282461.pdf} }

Bibliography for FM24420 Art Cinema BETA