Bibliography for EN30820 Haunting Texts BETA

‘A History of the Modern British Ghost Story by Simon Hay, and: Literary Ghosts from the Victorians to Modernism: The Haunting Interval by Luke Thurston (review)’ (no date) Victorian Studies, 56(2), pp. 325–327. Available at: http://muse.jhu.edu/journals/victorian_studies/v056/56.2.galvan.html.

‘Amateur Error, Templar Terror, and M. R. James’s Haunted Whistle’ (no date).

Anne Radcliffe (no date) ‘On the Supernatural in Poetry’, The New monthly magazine and literary journal, Jan. 1821-Dec. 1836, 16(61), pp. 145–152. Available at: http://search.proquest.com/britishperiodicals/docview/4400026/citation/D05DD27D6A994D49PQ/1?accountid=14783.

Baldick, C. (1992) The Oxford book of gothic tales. Oxford [England]: Oxford University Press.

Blackwood, A. (1906) ‘The Empty House’, in M. Cox and R.A. Gilbert (eds) The Oxford book of English ghost stories. Oxford: Oxford University Press, pp. 222–235.

Blackwood, A. (1983) Tales of the supernatural. Woodbridge: Boydell.

Blakemont, A.J. (2014) The Gothic: 250 years of success: your guide to Gothic literature and culture. [Place of publication not identified]: Dark Romantic Worlds.

Blanco, M. del P. and Peeren, E. (eds) (2013) The spectralities reader: ghosts and haunting in contemporary cultural theory. London: Bloomsbury.

Bleiler, R. (2006) ‘May Sinclair’s Supernatural Fiction’, in May Sinclair: moving towards the modern. Aldershot, Hants: Ashgate, pp. 123–138.

Bown, N., Burdett, C. and Thurschwell, P. (2004) The Victorian supernatural. Cambridge: Cambridge University Press.

Brewster, S. and Thurston, L. (eds) (2017) The Routledge handbook to the ghost story. London: Routledge.

Brian McCuskey (2006) ‘Not at Home: Servants, Scholars, and the UncannyNot at Home: Servants, Scholars, and the Uncanny’, PMLA, 121(2), pp. 421–436. Available at: http://www.jstor.org/stable/25486323.

Briggs, J. (1977) Night visitors: the rise and fall of the English ghost story. London: Faber.

Broster, D.K. (1932) ‘The Pestering’, in Couching at the door. London: Wordsworth Editions, pp. 129–162.

Broster, D.K. (2007) Couching at the door. London: Wordsworth Editions.

Brown, M. (2005) The Gothic text. Stanford, Calif: Stanford University Press.

Bulwer-Lytton, E. (1859) ‘The Haunted and the Haunters: or, The House and the Brain’, in The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: Penguin Books, pp. 39–66.

Byatt, A.S. (1987) ‘The July Ghost’, in Oxford Book of Twentieth-century Ghost Stories. Oxford Paperbacks, pp. 376–389.

Clery, E.J. and Miles, R. (2000) Gothic documents: a sourcebook, 1700-1820. Manchester: Manchester University Press.

Collings, R. (ed.) (1996) Classic Victorian & Edwardian ghost stories. Ware: Wordsworth Editions.

Collins, W. (1879) ‘Mrs. Zant and the Ghost’, in Classic ghost stories. Mineola, N.Y.: Dover Publications, pp. 30–58.

Collins, W. and Grafton, J. (1998) Classic ghost stories. Mineola, N.Y.: Dover Publications.

Conrad-O’Briain, H. and Stevens, J.A. (2010a) The ghost story from the middle ages to the 20th century: a ghostly genre. Dublin: Four Courts Press.

Conrad-O’Briain, H. and Stevens, J.A. (2010b) The ghost story from the middle ages to the 20th century: a ghostly genre. Dublin: Four Courts Press.

Conrad-O’Briain, H. and Stevens, J.A. (2010c) The ghost story from the middle ages to the 20th century: a ghostly genre. Dublin: Four Courts Press.

Cook, M. (2014) Detective fiction and the ghost story: the haunted text. Basingstoke, Hampshire: Palgrave Macmillan.

Cox, M. and Gilbert, R.A. (eds) (2008) The Oxford book of English ghost stories. Oxford: Oxford University Press.

Crowe, C. (2012) The night side of nature: or, Ghosts and ghost seers. Memphis: General Books LLC.

Davies, O. (2009a) The haunted: a social history of ghosts. Basingstoke, Hampshire: Palgrave Macmillan.

Davies, O. (2009b) The haunted: a social history of ghosts. Basingstoke, Hampshire: Palgrave Macmillan.

Dickens, C. (1866) ‘The Signalman’, in The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: Penguin Books, pp. 91–104.

Dickerson, V.D. (1996) Victorian ghosts in the noontide: women writers and the supernatural. Columbia: University of Missouri Press.

Edmundson Makala, M. (2013a) Women’s ghost literature in nineteenth-century Britain. Cardiff, Wales: University of Wales Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037233260002418&institutionId=2418&customerId=2415.

Edmundson Makala, M. (2013b) Women’s ghost literature in nineteenth-century Britain. Cardiff, Wales: University of Wales Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037234130002418&institutionId=2418&customerId=2415.

Edwards, A.B. (1864) ‘The Phantom Coach’, in M. Cox and R.A. Gilbert (eds) The Oxford book of English ghost stories. Oxford: Oxford University Press, pp. 13–24.

Edwards, A.B. (1873) ‘The New Pass’, in Classic ghost stories. Mineola, N.Y.: Dover Publications, pp. 74–85.

Einhaus, A.-M. (ed.) (2016) The Cambridge companion to the English short story. New York: Cambridge University Press.

Everett, H.D. (1920) ‘The Next Heir’, in The crimson blind: and other stories. Ware: Wordsworth Editions, pp. 81–112.

‘Every word of it is true’: the cultural significance of the Victorian ghost story (no date). Available at: http://mspace.lib.umanitoba.ca/handle/1993/116.

Fernie, E. (2013) The demonic: literature and experience. London: Routledge.

‘Fighting Spirit: Victorian women’s ghost stories’ (no date). Available at: http://theses.gla.ac.uk/1610/1/2000stewartphd.pdf.

Fluhr, N. (2006) ‘Empathy and Identity in Vernon Lee’s Hauntings’, Victorian Studies, 48(2), pp. 287–294. Available at: https://doi.org/10.1353/vic.2006.0079.

Freeman, N. (2008a) ‘E. Nesbit’s New Woman Gothic’, Women’s Writing, 15(3), pp. 454–469. Available at: https://doi.org/10.1080/09699080802444918.

Freeman, N. (2008b) ‘E. NESBIT’S NEW WOMAN GOTHIC’, Women’s Writing, 15(3), pp. 454–469. Available at: https://doi.org/10.1080/09699080802444918.

Freeman, N. (2013) ‘SENSATIONAL GHOSTS, GHOSTLY SENSATIONS’, Women’s Writing, 20(2), pp. 186–201. Available at: https://doi.org/10.1080/09699082.2013.773772.

Freud, S., McLintock, D. and Haughton, H. (2003) ‘The Uncanny’, in The uncanny. New York: Penguin Books, pp. 121–162.

Gaskell, E. (1852) ‘The Old Nurse’s Story’, in The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: Penguin Books, pp. 3–24.

Gendering the Spectral Encounter at the Fin de Siècle: Unspeakability in Vernon Lee’s Supernatural Stories - Gothic Studies - Volume 15, Number 2 / November 2013 - Manchester University Press (no date). Available at: http://manchester.metapress.com/content/b1801587p8g052q0/.

Ghosts & Scholars, Montague Rhodes James, M.R. James Newsletter (no date). Available at: http://www.users.globalnet.co.uk/~pardos/GS.html.

Ghosts of the Mind: The Supernatural and Madness in Victorian Gothic Literature - viewcontent.cgi (no date). Available at: http://aquila.usm.edu/cgi/viewcontent.cgi?article=1098&context=honors_theses.

Gordon, A.F. (2008) Ghostly matters: haunting and the sociological imagination. 2nd University of Minnesota Press ed. Minneapolis: University of Minnesota Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037228590002418&institutionId=2418&customerId=2415.

Gray, M. and Oliphant (1985) Selected short stories of the supernatural. Edinburgh: Scottish Academic.

Grimes, H. (2011a) The late Victorian Gothic: mental science, the uncanny, and scenes of writing. Farnham: Ashgate.

Grimes, H. (2011b) The late Victorian Gothic: mental science, the uncanny, and scenes of writing. Farnham: Ashgate.

Grimes, H. (2011c) The late Victorian Gothic: mental science, the uncanny, and scenes of writing. Farnham: Ashgate.

Gurney, E. et al. (2012) Phantasms of the living. Memphis: General Books.

Haefele-Thomas, A. (2012) Queer others in Victorian Gothic: transgressing monstrosity. Cardiff: University of Wales Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037306680002418&institutionId=2418&customerId=2415.

Haggerty, G.E. (2006) Queer Gothic. Urbana: University of Illinois Press.

Hall, T.H. (no date) The medium and the scientist: the story of Florence Cook and William Crookes. Buffalo, N.Y.: Prometheus Books. Available at: http://catdir.loc.gov/catdir/enhancements/fy1309/84043102-d.html.

Harris, J.M. (2008) Folklore and the fantastic in nineteenth-century British fiction. Aldershot: Ashgate.

Hartley, L.P. (1926) ‘A Visitor from Down Under’, in M. Cox and R.A. Gilbert (eds) The Oxford book of English ghost stories. Oxford: Oxford University Press, pp. 307–321.

Hay, S.J. (2011) A history of the modern British ghost story. Basingstoke: Palgrave Macmillan.

Hearn, L. (2010) ‘The Nightmare Touch’, in The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: Penguin Books, pp. 224–230.

Henson, L., Burdett, C. and Thurschwell, P. (2004) ‘Dickens and Ghosts’, in. Cambridge: Cambridge University Press.

Hogle, J.E. (2002) Cambridge companion to gothic fiction. Cambridge: Cambridge University Press.

H.P. Lovecraft’s ‘Supernatural Horror in Literature’ (no date). Available at: http://www.hplovecraft.com/writings/litcrit/shil.aspx.

Jacobs, W.W. (1902) ‘The Monkey’s Paw’, in The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: Penguin Books, pp. 231–242.

James, H. (1908) ‘The Jolly Corner’, in The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: Penguin Books, pp. 291–325.

James, H., Schofield, M. and Davies, D.S. (2008) Ghost Stories of Henry James. Herts: Wordsworth Editions Ltd.

James, M.R. (1904a) ‘Oh Whistle, and I’ll Come to You, My Lad’, in The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: Penguin Books, pp. 261–280.

James, M.R. (1904b) ‘The Mezzotint’, in Collected ghost stories. Ware, Hertfordshire: Wordsworth Editions, pp. 24–34.

James, M.R. (2007) Collected ghost stories. Herts: Wordsworth Editions.

James, M.R. and Cox, M. (2009) ‘Casting the runes’ and other ghost stories. Oxford: Oxford University Press.

Jill L. Matus (2001) ‘Trauma, Memory, and Railway Disaster: The Dickensian Connection’, Victorian Studies, 43(3), pp. 413–436. Available at: https://muse.jhu.edu/article/35840.

Joshi, A.S.T. (2003) The Weird Tale. Wildside Press.

Joshi, S.T. and Pardoe, R. (eds) (2007) Warnings to the curious: a sheaf of criticism on M.R. James. New York: Hippocampus Press.

Kellermeyer, M.G. (ed.) (2014) The best Victorian ghost stories: annotated and illustrated tales of murder, mystery, hauntings & horror. Second edition. [Place of publication not identified]: Oldstyle Tales press.

Kerr, H., Crowley, J.W. and Crow, C.L. (1983) The Haunted dusk: American supernatural fiction, 1820-1920. Athens, Ga: University of Georgia Press.

Kontou, T. (2011) Women and the Victorian occult. London [u.a.]: Routledge. Available at: http://www.gbv.de/dms/goettingen/669387444.pdf.

Kunka, A. and Troy, M.K. (2006) May Sinclair: moving towards the modern. Aldershot, Hants: Ashgate.

Le Fanu, J. (1868) ‘Squire Toby’s Will’, in M. Cox and R.A. Gilbert (eds) The Oxford book of English ghost stories. Oxford: Oxford University Press, pp. 25–50.

Lee, V. (1890) ‘A Wicked Voice’, in M. Cox and R.A. Gilbert (eds) The Oxford book of English ghost stories. Oxford: Oxford University Press, pp. 87–108.

Leighton, Angela (2000) ‘GHOSTS, AESTHETICISM, AND %u201CVERNON LEE%u201D’, Victorian Literature and Culture, 28(01), pp. 1–14. Available at: http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=56253&fileId=S1060150300281011.

Louise Henson (2000) ‘“Phantoms Arising from the Scenes of Our Too-Long Neglect”: Charles Dickens, Victorian Chemistry, and the Folklore of the Ghost’, Victorian Review, 26(1), pp. 6–23. Available at: http://www.jstor.org/stable/27793426?seq=1#page_scan_tab_contents.

Luckhurst, R. (2009) Late Victorian Gothic tales. Oxford: Oxford University Press.

Lustig, T.J. (2010) Henry James and the ghostly. Cambridge: Cambridge University Press.

Matus, J.L. (2011) Shock, memory and the unconscious in Victorian fiction. Cambridge: Cambridge University Press.

‘May Sinclair: Moving towards the Modern’ (no date). Available at: http://www.gbv.de/dms/goettingen/512869944.pdf.

McGarry, M. and ebrary, Inc (2008) Ghosts of futures past: spiritualism and the cultural politics of nineteenth-century America. Berkeley: University of California Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10676250.

Melechi, A. (2009) Servants of the supernatural: the night side of the Victorian mind. London: Arrow.

Messent, P.B. (1981) Literature of the occult: a collection of critical essays. Englewood Cliffs, N.J: Prentice-Hall.

Mishra, V. (1994) The gothic sublime. Albany: State University of New York Press.

Morton, L. (2017) Ghosts: a haunted history. London: Reaktion Books. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781780235370.

M.R. James on Le Fanu (no date). Available at: http://www.users.globalnet.co.uk/~pardos/ArchiveLeFanu.html.

‘Narcissism and the Conditions of Self-knowledge in James’s “The Jolly Corner” - pdf’ (no date). Available at: https://muse.jhu.edu/article/182758/pdf.

Nesbit, E. (1893) ‘Man-Size in Marble’, in M. Cox and R.A. Gilbert (eds) The Oxford book of English ghost stories. Oxford: Oxford University Press, pp. 125–136.

Newton, M. (ed.) (2010) The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: Penguin Books.

Norman, T. (2013) ‘A History of the Modern British Ghost Story. Simon Hay. New York: Palgrave Macmillan, 2011. 264pp. $85.00 cloth.’, The Journal of Popular Culture, 46(1), pp. 237–239. Available at: https://doi.org/10.1111/jpcu.12022_9.

O’Brien, F.-J. (1859) ‘What Was It?’, in The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: Penguin Books, pp. 25–37.

Oliphant, M. (1885) ‘The Open Door’, in The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: Penguin Books, pp. 193–203.

Oosterom-Pooley, J. van and Oosterom-Pooley, J. van (no date) The whirligig of time: Margaret Oliphant in her later years. Bern: P. Lang. Available at: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018886810&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Oppenheim, J. (1988a) The other world: spiritualism and psychical research in England, 1850-1914. Cambridge: Cambridge University Press.

Oppenheim, J. (1988b) The other world: spiritualism and psychical research in England, 1850-1914. Cambridge: Cambridge University Press.

Owen, A. (2004) The darkened room: women, power, and spiritualism in late Victorian England. Chicago: University of Chicago Press.

Peterson, L.H. (ed.) (2015) The Cambridge companion to Victorian women’s writing. Cambridge, United Kingdom: Cambridge University Press. Available at: http://assets.cambridge.org/97811076/59612/cover/9781107659612.jpg.

‘“Prismatic and Profitable”: Commerce and the Corporate Person in James’s “The Jolly Corner”’ (2005) ‘Prismatic and Profitable’:, 76(4), pp. 807–831. Available at: https://muse.jhu.edu/article/176817.

Punter, D. (1996) The literature of terror: a history of Gothic fictions from 1765 to the present day, Volume 1: The Gothic tradition. London: Longman.

Punter, D. (1998) Gothic pathologies: the text, the body and the law. Basingstoke: Macmillan Press.

Punter, D. and Byron, G. (2004) The Gothic. Malden, Mass: Blackwell.

Radcliffe, J.N. (1854) Fiends, ghosts, and sprites: Including an account of the origin and nature of belief in the supernatural. London: R.Bentley.

Raitt, S. (2000) May Sinclair: a modern Victorian. Oxford: Clarendon Press.

Ralph Harrington (2006) ‘“So jarred were all my nerves”: supernatural shock and traumatic terror in the ghost stories of M. R. James’. Available at: https://blackboard.aber.ac.uk/bbcswebdav/pid-907538-dt-content-rid-1251439_1/courses/EN30820_AB0_2016-17/So_jarred_were_all_my_nerves_supernatura.pdf.

Review: Luke Thurston’s Literary Ghosts from the Victorians to Modernism: The Haunting Interval | The Gothic Imagination (no date). Available at: http://www.gothic.stir.ac.uk/blog/review-luke-thurstons-literary-ghosts-from-the-victorians-to-modernism-the-haunting-interval/.

‘review of Luke Thurston: Literary Ghosts from the Victorians to Modernism: The Haunting’ (no date). Available at: http://www.archivdigital.info/ce/luke-thurston-literary-ghosts-from-the-victorians-to-modernism-the-haunting-interval/detail.html.

Robbins, R. and Wolfreys, J. (2000) Victorian gothic: literary and cultural manifestations in the nineteenth century. Basingstoke: Macmillan.

Rowe, K. (1999) Dead hands: fictions of agency, Renaissance to modern. Stanford, CA: Stanford University Press.

Royle, N. (2003) The uncanny. Manchester: Manchester University Press.

Savoy, E. (1999) ‘The Queer Subject of “The Jolly Corner”’, The Henry James Review, 20(1), pp. 1–21. Available at: https://doi.org/10.1353/hjr.1999.0007.

Scott Brewster (no date) ‘Casting an Eye: M. R. James at the Edge of the Frame - Gothic Studies - Volume 14, Number 2 / November 2012 - Manchester University Press’. Available at: http://manchester.metapress.com/content/j41286028812rx63/.

Scott, W. (no date) ‘On the Supernatural in Fictitious Composition; and particularly on the Works of Ernest Theodore William Hoffman.’, The Foreign quarterly review, July 1827-July 1846, 1(1), pp. 60–98. Available at: http://search.proquest.com/docview/2650203?accountid=14783.

Scott, W. and ebrary, Inc (2001) The Tapestried chamber. London: Electric Book Co. Available at: http://site.ebrary.com/lib/aber/Doc?id=2001613.

Sinclair, M. (1911) ‘the Intercessor’, in Uncanny stories. Ware: Wordsworth Editions, pp. 177–216.

Sinclair, M. and March-Russell, P. (2006) Uncanny stories. Ware: Wordsworth Editions.

Smajic, S. (2013) Ghost-seers, detectives, and spiritualists: theories of vision in Victorian literature and science. Cambridge: Cambridge University Press.

Smajic, Srdjan (no date) ‘The Trouble with Ghost-Seeing: Vision, Ideology, and Genre in the Victorian Ghost Story’. Available at: http://primo.aber.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_museS1080654704411079&indx=1&recIds=TN_museS1080654704411079&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=7&dscnt=0&frbg=&scp.scps=primo_central_multiple_fe&tab=central&dstmp=1417100598673&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Smajic%20%27the%20Trouble%20with%20ghost-seeing%27&vid=ABERU_VU1&gathStatIcon=true.

Smith, A. (2004) Victorian demons: medicine, masculinity, and the Gothic at the fin-de-siècle. Manchester: Manchester University Press.

Smith, A. (2012) The ghost story, 1840-1920: a cultural history. Manchester: Manchester University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037250070002418&institutionId=2418&customerId=2415.

Smith, A. and Hughes, W. (2012) The Victorian gothic: an Edinburgh companion. Edinburgh: Edinburgh University Press.

Smith, A. and Hughes, W. (eds) (2014a) The Victorian gothic: an Edinburgh companion. Edinburgh: Edinburgh University Press.

Smith, A. and Hughes, W. (eds) (2014b) The Victorian gothic: an Edinburgh companion. Edinburgh: Edinburgh University Press.

Smith, A. and Wallace, J. (2001) Gothic modernisms. Basingstoke: Palgrave.

Sound of Terror: Hearing Ghosts in Victorian Fiction - viewcontent.cgi (no date). Available at: http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1024&context=english_diss.

‘Spectres of the Self: Thinking about Ghosts and Ghost-Seeing in England, 1750-1920 (review)’ (no date) Victorian Studies, 54(2), pp. 336–337. Available at: http://muse.jhu.edu/journals/victorian_studies/v054/54.2.smajic.html.

Spirit writing: the influence of spiritualism on the Victorian ghost story (no date). Available at: http://dspace.stir.ac.uk/handle/1893/373#.VHb-gaPG4Sk.

Spooner, C.L. and McEvoy, E. (2007) The Routledge companion to Gothic. London: Routledge.

Srdjan Smajic (2003) ‘The Trouble with Ghost-Seeing: Vision, Ideology, and Genre in the Victorian Ghost Story’, ELH, 70(4), pp. 1107–1135. Available at: http://www.jstor.org/stable/30029915?seq=1#page_scan_tab_contents.

Sullivan, J. (1978) Elegant nightmares: the English ghost story from Le Fanu to Blackwood. Athens: Ohio University Press.

Sullivan, J. (1986) The Penguin encyclopedia of horror and the supernatural. Harmondsworth: Viking.

‘The Gothic’ (no date). Available at: http://www.bl.uk/romantics-and-victorians/videos/the-gothic.

‘The Queer subject of The Jolly Corner’ (1999) The Henry James Review, 20(1), pp. 1–21. Available at: http://literature.proquest.com/searchFulltext.do?id=R01243926&divLevel=0&queryId=2968481230446&trailId=158F923AE33&area=abell&forward=critref_ft.

The Sympathetic Medium, Feminine Channeling, the Occult, and Communication Technologies, 1859�1919 (no date). Available at: http://www.cornellpress.cornell.edu/book/?GCOI=80140100071720.

Thurston, L. (2012a) ‘Broken Lineage: M. R. James’, in Literary ghosts from the Victorians to Modernism: the haunting interval. New York: Routledge, pp. 57–72.

Thurston, L. (2012b) Literary ghosts from the Victorians to Modernism: the haunting interval. New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203112496.

Thurston, L. (2012c) Literary ghosts from the Victorians to Modernism: the haunting interval. New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203112496.

Thurston, L. (2013) ‘Double-crossing: Elizabeth Bowen’s ghostly short fiction’, Textual Practice, 27(1), pp. 7–28. Available at: https://doi.org/10.1080/0950236X.2013.752215.

‘Trauma, Memory, and Railway Disaster: The Dickensian Connection’ (no date) Victorian Studies, 43(3), pp. 413–436. Available at: http://muse.jhu.edu/journals/vic/summary/v043/43.3matus.html.

University of Iowa (no date) ‘Philological quarterly’.

Wallace, D. and Smith, A. (2009) The female gothic: new directions. New York: Palgrave Macmillan.

Wharton, E. (no date) ‘Afterward’, in Ghosts. New York: D. Appleton-Century Company, pp. 69–112.

Williams, A. (1995) Art of darkness: a poetics of Gothic. Chicago: University of Chicago Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037231740002418&institutionId=2418&customerId=2415.

Wilson, N. and British Library (2000) Shadows in the attic: a guide to British supernatural fiction, 1820-1950. 1st ed. Wetherby: British Library.

Wolfreys, J. (2002) Victorian hauntings: spectrality, Gothic, the uncanny, and literature. Houndmills, Basingstoke, Hampshire: Palgrave.