Abraham, A. (2019) Queer intentions: a (personal) journey through LGBTQ+ culture. London: Picador.
Aldrich, R. (2012) Gay life stories. London: Thames & Hudson.
Ali Smith: How I Write - The Daily Beast (no date). Available at: http://www.thedailybeast.com/articles/2013/01/23/ali-smith-how-i-write.html.
Ali Smith - Jeanette Winterson (no date). Available at: http://www.jeanettewinterson.com/journalism/ali-smith/.
‘Alison Bechdel - Creating “Fun Home: A Family Tragicomic”’ (16AD). Available at: https://www.youtube.com/watch?v=kKy0yJ_Owi4&index=2&list=PL8B780C25F65D598B.
Andermahr, S. (2007) Jeanette Winterson: a contemporary critical guide. London: Continuum.
Andermahr, S. (2009) Jeanette Winterson. Basingstoke: Palgrave Macmillan.
Armitt, L. (no date) ‘interview with Sarah Waters (CWWN conference, University of Wales, Bangor, 22nd April 2006).’ Available at: http://literature.proquest.com/pageImage.do?ftnum=1244874321&fmt=page&area=criticism&journalid=01417789&articleid=R04235074&pubdate=2007&queryid=2845127061479.
Bauer, H. (2017) The Hirschfeld archives: violence, death, and modern queer culture. Philadelphia: Temple University Press.
Bechdel, A. (2006) Fun home: a family tragicomic. London: Jonathan Cape.
Bechdel, A. (2009) The essential dykes to watch out for. London: Jonathan Cape.
Beneath the Surface of the Swimming-Pool Library (no date). Available at: http://connection.ebscohost.com/c/interviews/9258679/beneath-surface-swimming-pool-library.
Bettley, J. and Victoria and Albert Museum (2001) The art of the book: from medieval manuscript to graphic novel. London: V&A Publications.
Bijon, B. (no date) ‘Voices under Water“: Jeanette Winterson’s Oranges Are Not the Only Fruit”.’ Available at: http://literature.proquest.com/pageImage.do?ftnum=1627040911&fmt=page&area=criticism&journalid=0014195X&articleid=R04314719&pubdate=2008&queryid=2844767293784.
Blanchfield, B. (2017) Proxies: a memoir in twenty-four attempts. Main Market Ed. London: Picador.
Brookes, L. (2010) Gay male fiction since Stonewall: ideology, conflict, and aesthetics. New York: Routledge.
Carregal-Romero, J. (no date) ‘Colm Tóibín and Post-Nationalist Ireland: Redefining Family Through Alterity.’ Available at: http://www.estudiosirlandeses.org/wp-content/uploads/2013/05/Jos%C3%A9_Carregal-Romero_7.pdf.
Carter, K. (no date) ‘The Consuming Fruit: Oranges, Demons, and Daughters.’ Available at: http://literature.proquest.com/pageImage.do?ftnum=34585773&fmt=page&area=criticism&journalid=00111619&articleid=R01522080&pubdate=1998.
Chaney, M. A. and ebrary, Inc (2011) Graphic subjects: critical essays on autobiography and graphic novels. Madison: University of Wisconsin Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10451116.
Chan, M. J. (2019) Flèche. Main. London: Faber & Faber.
Chute, H. L. and ebrary, Inc (2010) Graphic women: life narrative and contemporary comics. New York: Columbia University Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10424448.
Ciocia, S. (no date) ‘Stefania Ciocia - “Queer and Verdant”: The Textual Politics of Sarah Waters’s Neo-Victorian Novels' (Literary London Journal)’. Available at: http://www.literarylondon.org/london-journal/september2007/ciocia.html.
Collins, M. (2012) Hate: my life in the British far right. London: Biteback.
Connolly, N. (ed.) (2017) Know your place: essays on the working class by the working class. Great Britain: Dead Ink.
Cook, M. et al. (2007) A gay history of Britain: love and sex between men since the Middle Ages. Oxford: Greenwood World Pub.
Cooper, B. (1999) ‘Snapshots of Postcolonial Masculinities: Alan Hollinghurst’s The Swimming-Pool Library and Ben Okri's The Famished Road’, The Journal of Commonwealth Literature, 34(1), pp. 135–157. doi: 10.1177/002198949903400109.
Corber, R. J. and Valocchi, S. M. (2003) Queer studies: an interdisciplinary reader. Malden, MA: Blackwell.
Costello-Sullivan, K. (2012) Mother/country: politics of the personal in the fiction of Colm Ti̤bn̕. Oxford: Peter Lang.
Cronin, M. G. (no date) ‘“ He’s My Country”: Liberalism, Nationalism, and Sexuality in Contemporary Irish Gay Fiction’. Available at: http://muse.jhu.edu/journals/eire-ireland/v039/39.3cronin_mic.pdf.
Cvetkovich, A. (no date) ‘Drawing the Archive in Alison Bechdel’s Fun Home.’ Available at: http://literature.proquest.com/pageImage.do?ftnum=1499764371&fmt=page&area=criticism&journalid=07321562&articleid=R04240040&pubdate=2008&queryid=2844772060720.
Davies, A. and Sinfield, A. (2000) British culture of the postwar: an introduction to literature and society, 1945-1999. London: Routledge.
Delaney, P. (2008a) Reading Colm Tóibín. Dublin: Liffey Press.
Delaney, P. (2008b) Reading Colm Tóibín. Dublin: Liffey Press.
Dennis, A. (no date) ‘"Ladies in Peril”: Sarah Waters on neo-Victorian narrative celebrations and why she stopped writing about the Victorian era.’ Available at: http://neovictorianstudies.com/past_issues/Autumn2008/NVS%201-1%20A-Dennis.pdf.
Duberman, M. B., Vicinus, M. and Chauncey, G. (1991) Hidden from history: reclaiming the gay and lesbian past. London: Penguin.
Dukes, T. (1996) ‘Mappings of Secrecy and Disclosure’':’, Journal of Homosexuality, 31(3), pp. 95–107.
Eibhear Walshe (no date) A Different Story: The Writings of Colm Toibin. Irish Academic Press Ltd; 1 edition (6 May 2013). Available at: http://www.amazon.co.uk/Different-Story-Writings-Colm-Toibin/dp/0716531313/ref=sr_1_2?ie=UTF8&qid=1422560815&sr=8-2&keywords=Mother%2FCountry%3A+Politics+of+the+Personal+in+the+Fiction+of+Colm+T%C3%B3ib%C3%ADn.
Emezi, A. (2019a) Freshwater. Main. London: Faber & Faber.
Emezi, A. (2019b) Freshwater. Main. London: Faber & Faber.
Evaristo, B. (2019) Girl, woman, other. London: Penguin Books.
Freedman, A. (no date) ‘“Drawing on Modernism in Alison Bechdel’s Fun Home.”’ Available at: http://literature.proquest.com/pageImage.do?ftnum=1877669551&fmt=page&area=abell&journalid=0022281X&articleid=R04200676&pubdate=2009&queryid=2844772268093.
Friberg-Harnesk, H. et al. (2007) Recovering memory: Irish representations of past and present. Newcastle, U.K.: Cambridge Scholars Pub. Available at: http://site.ebrary.com/lib/aber/Doc?id=10655263.
Gamble, S. (2009) ‘"You cannot impersonate what you are”: Questions of Authenticity in the Neo-Victorian Novel’, Lit: Literature Interpretation Theory, 20(1-2), pp. 126–140.
Germanáa, M. and ebrary, Inc (2010) Scottish women’s gothic and fantastic writing: fiction since 1978. Edinburgh: Edinburgh University Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10430814.
Germanà, M. and Horton, E. (2013a) Ali Smith. London: Bloomsbury. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037230850002418&institutionId=2418&customerId=2415.
Germanà, M. and Horton, E. (eds) (2013b) Ali Smith: contemporary critical perspectives. London: Bloomsbury Academic. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441159908.
Giffney, N. and O’Rourke, M. (2009) The Ashgate research companion to queer theory. Burlington, VT: Ashgate.
Gilmore, L. (2001) The Limits of autobiography: trauma and testimony. Ithaca, N.Y.: Cornell University Press.
Govinden, N. (2019) This brutal house. London: Dialogue Books.
Griffin, G. (no date) ‘Lines on lesbian sex: the politics of representing lesbian sex in the age of AIDS.’ Available at: http://literature.proquest.com/searchFulltext.do?id=R04262516&divLevel=0&queryId=2844768058995&trailId=14A922EAC80&area=criticism&forward=critref_ft.
Grimshaw, T. (no date) ‘“Hollinghurst’s The Swimming-Pool Library.”’ Available at: http://literature.proquest.com/pageImage.do?ftnum=1143708041&fmt=page&area=abell&journalid=00144940&articleid=R03863737&pubdate=2006&queryid=2845123392619.
Haefele-Thomas, A. (no date) Introduction to Transgender Studies. Harrington Park Press, LLC. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3950287880002418&institutionId=2418&customerId=2415.
Haggerty, G. E. and McGarry, M. (2007a) A companion to lesbian, gay, bisexual, transgender, and queer studies. Malden, MA: Blackwell.
Haggerty, G. E. and McGarry, M. (2007b) A companion to lesbian, gay, bisexual, transgender, and queer studies. Malden, MA: Blackwell.
Halberstam, J. (2005) In a queer time and place: transgender bodies, subcultural lives. New York: New York University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037231570002418&institutionId=2418&customerId=2415.
Halberstam, J. (2011) The queer art of failure. Durham, [N.C.]: Duke University Press.
Hall, D. E. (2003) Queer theories. New York: Palgrave Macmillan. Available at: https://whel-primo.hosted.exlibrisgroup.com/primo-explore/fulldisplay?docid=44WHELF_ABW_ALMA_DS2149559480002418&context=L&vid=44WHELF_ABW_VU1&lang=en_US&search_scope=LSCOP_44WHELF_ABW&adaptor=Local%20Search%20Engine&isFrbr=true&tab=local&query=any,contains,queer%20theories&sortby=rank&offset=0.
Hall, D. E. and ebrary, Inc (2003) Queer theories. Houndsmills, Basinstroke, Hampshire: Palgrave Macmillan. Available at: http://site.ebrary.com/lib/aber/Doc?id=10076833.
Hall, J. (2012) No straight lines: four decades of queer comics. Seattle, Wash: Fantagraphics.
Hansen, J. L. (no date) ‘Written on the Body, Written by the Senses.’ Available at: http://literature.proquest.com/pageImage.do?ftnum=939701711&fmt=page&area=abell&journalid=01900013&articleid=R03621085&pubdate=2005&queryid=2844765691082.
Harris, A. L. (2000) Other sexes: rewriting difference from Woolf to Winterson. Albany: State University of New York Press.
Harte, L. (no date) ‘“The endless mutation of the shore”: Colm Tóibín’s marine imaginary.’ Available at: http://literature.proquest.com/pageImage.do?ftnum=2112782641&fmt=page&area=criticism&journalid=00111619&articleid=R04332587&pubdate=2010.
Healy, M. (1996) Gay skins: class, masculinity and queer appropriation. London: Cassell.
Heilmann, A. and Llewellyn, M. (2007) Metafiction and metahistory in contemporary women’s writing. Basingstoke: Palgrave.
Henstra, S. (2009) The counter-memorial impulse in twentieth-century English fiction. Basingstoke: Palgrave Macmillan.
Hill, R. and Bell, A. (1988) The other face of terror: inside Europe’s neo-Nazi network. London: Grafton.
Hoff, M. (no date) ‘Winterson’s Written On The Body.’ Available at: http://literature.proquest.com/pageImage.do?ftnum=124313411&fmt=page&area=abell&journalid=00144940&articleid=R01616200&pubdate=2002&queryid=2844766017225.
Hollinghurst, A. (2015) The swimming-pool library. London: Vintage Books.
‘“I don’t want to be seen as a screaming queen”: An Interpretative Phenomenological Analysis of gay men’s masculine identities’ (no date). Available at: http://sro.sussex.ac.uk/74201/1/__smbhome.uscs.susx.ac.uk_ellenaj_Desktop_SRO_after%20august_I%20don%27t%20want%20to%20be%20seen%20as%20a%20screaming%20queen%20final%20version.pdf.
‘I know that men can mistake: Andrew McMillan on Tom Paulin’s Love's Bonfire, the dash and poetic authority’ (no date). Available at: https://e-space.mmu.ac.uk/620935/1/I%20know%20that%20men%20can%20mistake.pdf.
Jagose, A. (1996) Queer theory: an introduction. New York: New York University Press.
Jeanette Winterson, stone gods, oranges are not the only fruit, Jeanette Winterson latest news, Jeanette Winterson journalism, Jeanette Winterson monthly column (no date). Available at: http://www.jeanettewinterson.com/.
Jennings, R. (2007a) A lesbian history of Britain: love and sex between women since 1500. Oxford: Greenwood World Pub.
Jennings, R. (2007b) Tomboys and bachelor girls: a lesbian history of post-war Britain 1945-71. Manchester: Manchester University Press.
Jeremiah, E. (2007) ‘“The ”I’ inside “her””: Queer Narration in Sarah Waters’s   and Wesley Stace's’, Women: A Cultural Review, 18(2), pp. 131–144.
Johnson, A. (2014) Alan Hollinghurst and the vitality of influence. Basingstoke, Hampshire: Palgrave Macmillan.
Kobabe, M. (2019) Gender queer: a memoir. St. Louis: Lion Forge.
Kohlke, M.-L. (no date) ‘The Neo-Victorian Sexsation: Literary Excursions into the Nineteenth Century Erotic.’ Available at: http://www.persons.org.uk/ci/sexuality/s3/Kohlke%20paper.pdf.
Kostkowska, J. (2013) Ecocriticism and women writers: environmentalist poetics of Virginia Woolf, Jeanette Winterson, and Ali Smith. Basingstoke, Hampshire: Palgrave Macmillan.
Lea, D. and Schoene-Harwood, B. (2003) Posting the male: masculinities in post-war and contemporary British literature. Amsterdam: Rodopi.
Lemberg, J. (no date) ‘Closing the Gap in Alison Bechdel’s Fun Home.’ Available at: http://literature.proquest.com/pageImage.do?ftnum=1499764381&fmt=page&area=criticism&journalid=07321562&articleid=R04240042&pubdate=2008&queryid=2844772060720.
Di Leo, J. R. (2018) The Bloomsbury Handbook of Literary and Cultural Theory. London: Bloomsbury Publishing PLC.
MARIACONCETTA COSTANTINI (2006) ‘“Faux-Victorian Melodrama” in the New Millennium: The Case of Sarah Waters’, Critical Survey, 18(1), pp. 17–39.
Martin, R. R. (2018) Alison Bechdel: Conversations. Jackson: University Press of Mississippi.
Mathuray, M. (ed.) (2017a) Sex and sensibility in the novels of Alan Hollinghurst. London: Palgrave Macmillan. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137337221.
Mathuray, M. (ed.) (2017b) Sex and sensibility in the novels of Alan Hollinghurst. London: Palgrave Macmillan. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137337221.
Mathuray, M. (ed.) (2017c) Sex and sensibility in the novels of Alan Hollinghurst. London: Palgrave Macmillan. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137337221.
McCallum, E. L. and Tuhkanen, M. (eds) (2014) The Cambridge history of gay and lesbian literature. New York, NY: Cambridge University Press.
McMillan, A. (2015a) Physical. London: Cape Poetry.
McMillan, A. (2015b) Physical. London: Cape Poetry.
Mendelssohn, M. and Flannery, D. (eds) (2016) Alan Hollinghurst: writing under the influence. Manchester: Manchester University Press.
Mitchell, K. (2010) History and cultural memory in neo-Victorian fiction: Victorian afterimages. Basingstoke: Palgrave Macmillan.
Mitchell, K. (ed.) (2013) Sarah Waters: contemporary critical perspectives. London: Bloomsbury Academic. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441120212.
Murphy, J. S. (no date) ‘Past Irony: Trauma and the Historical Turn in Fragments and The Swimming-Pool Library.’ Available at: http://manchester.metapress.com/content/j9514x6812911858/fulltext.pdf.
Murphy, R. (no date) ‘The politics of rebirth in Colm Tóibín’s “Three Friends” and “A Long Winter”.’ Available at: http://www.tandfonline.com/doi/pdf/10.1080/09670880903315922.
Nelson, M. (2016) The argonauts. London: Melville House UK.
Nestle, J., Howell, C. and Wilchins, R. A. (2002) GenderQueer: voices from beyond the sexual binary. 1st ed. Los Angeles: Alyson Books.
Nicky Crane: The secret double life of a gay neo-Nazi - Searchlight Magazine (no date). Available at: http://www.searchlightmagazine.com/news/domestic-news/nicky-crane-the-secret-double-life-of-a-gay-neo-nazi.
Noakes, J. and Reynolds, M. (2003) Jeanette Winterson: Oranges are not the only fruit ; The Passion ; Sexing the cherry ; The powerbook. London: Vintage.
Nonbinary (no date). Columbia University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3649134480002418&institutionId=2418&customerId=2415.
Onega Jaâen, S. and ebrary, Inc (2006) Jeanette Winterson. Manchester: Manchester University Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10623400.
Palmer, P. (2008) ‘“She began to show me the words she had written, one by one”: 1 Lesbian Reading and Writing Practices in the Fiction of Sarah Waters’, Women: A Cultural Review, 19(1), pp. 69–86.
Paris Review - The Art of Fiction No. 214, Alan Hollinghurst (no date). Available at: http://www.theparisreview.org/interviews/6116/the-art-of-fiction-no-214-alan-hollinghurst.
Phelan, S. (1997) Playing with fire: queer politics, queer theories. New York: Routledge.
Poet Andrew McMillan: ‘Growing up gay, and the books that helped me’ | The Independent (no date). Available at: https://www.independent.co.uk/arts-entertainment/books/features/poet-andrew-mcmillan-growing-up-gay-and-the-books-that-helped-me-10393584.html.
‘Poets reading: After Orlando – Andrew McMillan reads new poets from the US’ (no date). Available at: https://e-space.mmu.ac.uk/619718/9/McMillan%20essay%201063.pdf.
‘Queering genre: Alison Bechdel’s Fun Home: a Family Tragicomic and The Essential Dykes to Watch Out for.’ (no date). doi: 10.1093/cww/vpr015.
Quesada, U., Gomez, L. and Vidal-Ortiz, S. (eds) (2015) Queer brown voices: personal narratives of Latina/o LGBT activism. First edition. Austin: University of Texas Press.
Rubinson, G. J. (no date) ‘“Body languages: scientific and aesthetic discourses in Jeanette Winterson’s Written on the Body.”’ Available at: http://literature.proquest.com/pageImage.do?ftnum=68133733&fmt=page&area=abell&journalid=00111619&articleid=R01514229&pubdate=2001&queryid=2844766017225.
Sabin, R. (1996) Comics, comix & graphic novels. London: Phaidon.
Saxey, E. (2008) Homoplot: the coming-out story and gay, lesbian and bisexual identity. New York: Peter Lang.
Schaefer, M. (2011) Children of the sun. London: Granta.
Sedgwick, E. K. (2008) Epistemology of the closet. Updated [ed.]. Berkeley, Calif: University of California Press.
Shiffer, C. (no date) ‘“’You see, I am no stranger to love': Jeanette Winterson and the extasy of the word.”’ Available at: http://literature.proquest.com/pageImage.do?ftnum=763047031&fmt=page&area=abell&journalid=00111619&articleid=R03491943&pubdate=2004&queryid=2844766017225.
Shute, H. (no date) ‘An Interview with Alison Bechdel.’ Available at: http://literature.proquest.com/pageImage.do?ftnum=1206732101&fmt=page&area=abell&journalid=00267724&articleid=R03896913&pubdate=2006&queryid=2844772268093.
Sinfield, A. (1994) Cultural politics - queer reading. London: Routledge.
Sinfield, A. (1997) ‘Stephen Spender’s bit of rough: Some arguments about art, AIDS, and subculture’, European Journal of English Studies, 1(1), pp. 56–72.
‘Skinhead OUT! Part 1’ (2009). Available at: https://www.youtube.com/watch?v=WNb-Gdm3H_I&bpctr=1422726223.
SMITH, A. (2010) ‘All there is: an interview about the short story’, Critical Quarterly, 52(2), pp. 66–82. doi: 10.1111/j.1467-8705.2010.01942.x.
Smith, A. (2015) Girl meets boy. Canons edition. Edinburgh: Canongate.
Smith, C. (no date) ‘Ali Smith interviewed by Caroline Smith.’ Available at: http://gala.gre.ac.uk/4924/1/ali_smith.pdf.
Something inside: conversations with gay fiction writers (no date a). Madison, Wis: University of Wisconsin Press.
Something inside: conversations with gay fiction writers (no date b). Madison, Wis: University of Wisconsin Press.
Stevens, H. (2011) The Cambridge companion to gay and lesbian writing. Cambridge: Cambridge University Press.
Still, J. and Worton, M. (1993) Textuality and sexuality: reading theories and practices. Manchester, UK: Manchester University Press.
Sycamore, M. B. (2008) That’s revolting!: queer strategies for resisting assimilation. New rev. and expanded ed. Brooklyn: Soft Skull Press. Available at: https://ebookcentral.proquest.com/lib/ABER/detail.action?docID=478886.
Tabachnick, S. E. (ed.) (2017) The Cambridge companion to the graphic novel. Cambridge, United Kingdom: Cambridge University Press.
The Poetics of Transgenerational Trauma: Meera Atkinson: Bloomsbury Academic (no date). Available at: https://www.bloomsbury.com/uk/the-poetics-of-transgenerational-trauma-9781501330872/?utm_source=adestra&utm_medium=email&utm_content=read+more&utm_campaign=nl-ct-literary+theory_aug2017_uk.
The Quietus | Features | Tome On The Range | The Art Of Conversation: Ali Smith Interviewed (no date). Available at: http://thequietus.com/articles/10705-ali-smith-artful-interview.
‘“There”s too many gay categories now’: discursive constructions of gay masculinity’ (no date). Available at: http://sro.sussex.ac.uk/61467/1/Ravenhill_deVisser_inPress_PMM.pdf.
Tóibín, C. (2000) Blackwater lightship. London: Picador.
Turner, W. B. (2000) A Genealogy of queer theory. Philadelphia: Temple University Press.
uncarved.org blog » Blog Archive » The Strange Case of Nicola Vincenzio Crane (no date). Available at: http://www.uncarved.org/blog/2004/12/the-strange-case-of-nicola-vincenzio-crane/.
Vuong, O. (2019) On earth we’re briefly gorgeous. London: Jonathan Cape.
Wallace, D. (2008) The woman’s historical novel: British women writers, 1900-2000. Basingstoke: Palgrave Macmillan.
Walshe, E. (no date a) ‘QUEERING HISTORY; CONTEMPORARY IRISH LESBIAN AND GAY WRITING.’, in. Available at: http://cora.ucc.ie/bitstream/handle/10468/450/EW_QueeringAV2007.pdf?sequence=1.
Walshe, E. (no date b) ‘The Vanishing Homoerotic: Colm Tóibín’s Gay Fictions.’ Available at: http://www.jstor.org/stable/pdfplus/20558120.pdf?acceptTC=true.
Warhol, R. (no date) ‘“The space between: a narrative approach to Alison Bechdel’s Fun Home.”’ Available at: http://literature.proquest.com/pageImage.do?ftnum=2413937431&fmt=page&area=abell&journalid=00933139&articleid=R04455145&pubdate=2011&queryid=2844772268093.
Waters, S. (1999) Tipping the velvet. London: Virago.
Wiesenfarth, J. (no date) ‘An Interview with Colm Toibin.’ Available at: http://mtw160-198.ippl.jhu.edu/journals/contemporary_literature/v050/50.1.wiesenfarth.pdf.
WILSON, C. A. (2006) ‘From the Drawing Room to the Stage: Performing Sexuality in Sarah Waters’s’, Women’s Studies, 35(3), pp. 285–305.
Winterson, J. (1992) Written on the body. London: Vintage Books.
Winterson, J. (1996) Art objects: essays on ecstasy and effrontery. London: Vintage.
Winterson, J. (2014) Oranges are not the only fruit. London: Vintage Books.
Wolk, D. (2007) Reading comics: how graphic novels work and what they mean. Cambridge, MA: Da Capo Press.
Wood, R. (no date) ‘“Walking and Watching” in Queer London: Sarah Waters” Tipping the Velvet and The Night Watch’. Available at: http://www.tandfonline.com/doi/pdf/10.1080/10894160.2013.731871.
Woods, T., Grice, H. and Grice, H. (1998) ‘I’m Telling You Stories’: Jeanette Winterson and the Politics of Reading. Amsterdam: Rodopi B.V.Editions.
Yates, L. (no date) ‘“But it”s only a novel, Dorian”: Neo-Victorian Fiction and the Process of Re-Vision’. Available at: http://www.neovictorianstudies.com/past_issues/Winter2009-2010/NVS%202-2-9%20L-Yates.pdf.
Yebra, J. Y. (no date) ‘The Interstitial Status of Irish Gayness in Colm Tóibín’s The Blackwater Lightship and The Master.’ Available at: http://www.estudiosirlandeses.org/wp-content/uploads/2014/02/Jose_M_Yebra_9.pdf.
Zunshine, L. (no date) ‘What to expect when you pick up a graphic novel.’ Available at: http://muse.jhu.edu/journals/substance/v040/40.1.zunshine.pdf.