Adams, L. (2010) The Methodologies of Art. Second edition. Boulder, CO: Westview Press, a member of the Perseus Books Group. Available at: https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4933260840002418&institutionId=2418&customerId=2415.
Alberro, A. (2011) ‘Institutions, Critique and Institutional Critique’, in A. Alberro and B. Stimson (eds) Institutional critique: an anthology of artists’ writings. Cambridge, Massachusetts: MIT Press, pp. 2–19. Available at: http://www.columbia.edu/cu/arthistory/faculty/Alberro/Institutional-Critique.pdf.
Ashcroft, B., Griffiths, G. and Tiffin, H. (2006) The Post-colonial Studies Reader. 2nd ed. Abingdon, Oxford: Routledge.
Barthes, R. and Lavers, A. (1993) Mythologies. London: Vintage.
Becker, G.S. (1998) Accounting for Tastes. Cambridge Massachusetts: Harvard University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039319150002418&institutionId=2418&customerId=2415.
Berger, J. (2008) Ways of Seeing. London: Penguin. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780141917986.
Boldrick, S. (no date) ‘Trash as Trash as Art: Reflections on the Preservation and Destruction of Waste in Artistic Practice’, NANO, 7. Available at: https://nanocrit.com/issues/issue7/trash-trash-art.
Bourdieu, P. and Johnson, R. (1993) The Field of Cultural Production: Essays on Art and Literature. Cambridge: Polity Press.
Buchli, V. (2002) The Material Culture Reader. Oxford: Berg.
Buck, L. and Dodd, P. (1991) Relative Values: or What’s Art Worth? London: BBC Books.
Corsane, G. (2005) Heritage, Museums and Galleries: An Introductory Reader. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037227700002418&institutionId=2418&customerId=2415.
D’Alleva, A. (2012) Methods and Theories of Art History. 2nd ed. London: Laurence King.
Fernández, M. (2006) ‘"Life-like”: Historicizing Process and Responsiveness in Digital Art.”’, in A companion to contemporary art since 1945. Malden, MA: Blackwell Pub, pp. 557–581. Available at: https://www.vlebooks.com/Vleweb/Product/Index/22593?page=0.
Gere, C. (2006) Art, Time, and Technology. English ed. Oxford: Berg.
Gere, C. (2008) Digital Culture. Expanded 2nd ed. London: Reaktion. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037257310002418&institutionId=2418&customerId=2415.
Gibbons, J. and ebrary, Inc (2007) Contemporary art and memory: images of recollection and remembrance. London: I.B. Tauris. Available at: http://site.ebrary.com/lib/aber/Doc?id=10254890.
Greenberg, R., Ferguson, B.W. and Nairne, S. (1996) Thinking about Exhibitions. London: Routledge.
Harris, J. (2013) ‘Introduction: The ABC of Globalization and Contemporary Art’, Third Text, 27(4), pp. 439–441. Available at: https://doi.org/10.1080/09528822.2013.816585.
Harris, J. and NetLibrary (2001) The New Art History: A Critical Introduction. London: Routledge. Available at: http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=73809.
Harvey, K. (2009) History and Material Culture: A Student’s Guide to Approaching Alternative Sources. London: Routledge.
Hooper-Greenhill, E. (2000) Museums and the Interpretation of Visual Culture. London: Routledge.
Jones, A. (2006a) A Companion to Contemporary Art since 1945. Malden, MA: Blackwell Pub.
Jones, A. (2006b) Self Image: Technology, Representation, and the Contemporary Subject. London: Routledge.
Kocur, Z. (2011) Global Visual Cultures. Chichester, West Sussex: Wiley-Blackwell.
‘Like Blood or Blossom: Wangechi Mutu’s Resistant Harvests’ (2016) Feminist Studies, 42(2). Available at: https://www.jstor.org/stable/10.15767/feministstudies.42.2.0392.
Lord, P. (1992) The aesthetics of relevance. Llandysul: Gomer Press.
Meskimmon, M. (2003) Women Making Art: History, Subjectivity, Aesthetics. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203389461.
Meskimmon, M. (2011) Contemporary Art and the Cosmopolitan Imagination. London: Routledge.
Mirzoeff, N. (2013) The Visual Culture Reader. 3rd ed. London: Routledge.
Murray, D.C. (2015) ‘Notes to Self: The Visual Culture of Selfies in the Age of Social Media’, Consumption Markets & Culture, 18(6), pp. 490–516.
Preziosi, D. (2009) The Art of Art History: A Critical Anthology. New ed. Oxford: Oxford University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037247220002418&institutionId=2418&customerId=2415.
Rose, G. (2023) Visual methodologies: an introduction to researching with visual materials. 5th edition. Los Angeles: SAGE.
Sherman, D.J. and Rogoff, I. (1994) Museum Culture: Histories, Discourses, Spectacles. London: Routledge.
Simmons, W.J. (no date) True to Form: Deborah Kass Shakes Up the Canon. Available at: https://deborahkass.com/presspdfs/Deb%20Kass%20MP%20December%202015.pdf.
Smith, T. and Mathur, S. (2014) ‘Contemporary Art: World Currents in Transition Beyond Globalization’, Contemporaneity: Historical Presence in Visual Culture, 3, pp. 163–173. Available at: https://doi.org/10.5195/CONTEMP.2014.112.
Sturken, M. and Cartwright, L. (2001) Practices of Looking: An Introduction to Visual Culture. Oxford: Oxford University Press.
Terry Smith (2010) ‘The State of Art History: Contemporary Art’, The Art Bulletin, 92(4), pp. 366–383. Available at: http://www.jstor.org/stable/29546137?seq=1#page_scan_tab_contents.
Walker, J.A. and Chaplin, S. (1997) Visual Culture: An Introduction. Manchester: Manchester University Press.
Williams, R. (2004) Art Theory: An Historical Introduction. Malden, Ma: Blackwell.
